Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor Seuss Geisel

A treasure trove of World War II-era political cartoons by the creator of The Cat in the Hat. For decades, readers throughout the world have enjoyed the wonderful stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know Geisel's work as a political cartoonist for the New York daily newspaper PM during World War II. In these trenchant cartoons, Geisel captured the Zeitgeist--especially the attitudes of the New Deal liberals who read PM--with signature Seussian flair. Dr. Seuss Goes to War features handsome, large-format reproductions of almost 200 of the best of Geisel's cartoons from this time. The cartoons savage Hitler, Japan, Stalin, Mussolini, and "isolationist" leaders such as Charles Lindbergh. They exhort readers to give full support to the war effort, put up with shortages, buy U. S. savings bonds, and help control inflation. They are sharply critical of anti-Semitism and anti-black racism--and, shockingly, undeniably racist in their portrayal of Japanese Americans. An introduction and commentary by Richard H. Minear, historian of the era and author of Victors' Justice, place them in context and illuminate the national climate they reflect. Lovers of Dr. Seuss will take renewed delight in his whimsical and imaginative illustrations even as they may be disturbed by the attitudes reflected in some of his work. Those for whom World War II is an abiding passion will find a brand-new look at the war and American involvement. And those concerned with American attitudes--particularly in the press--will find that Dr. Seuss's cartoons of 1941 and 1942 bring back to life the mood and the issues of the day.

Before Yertle, before the Cat in the Hat, before Little Cindy-Lou Who (but after Mulberry Street), Dr. Seuss (Theodor Geisel) made his living as a political cartoonist for New York newspaper PM. Seuss drew over 400 cartoons in just under two years for the paper, reflecting the daily's New Deal liberal slant. Starting in early 1941, when PM advocated American involvement in World War II, Seuss savaged the fascists with cunning caricatures. He also turned his pen against America's internal enemies--isolationists, hoarders, complainers, anti-Semites, and anti-black racists--and urged Americans to work together to win the war. The cartoons are often funny, peopled with bowler-hatted "everymen" and what author Art Spiegelman calls "Seussian fauna" in his preface. They are also often very disturbing--Seuss draws brutally racist images of the Japanese and even attacks Japanese Americans on numerous occasions. Perhaps most disturbing is the realization that Seuss was just reflecting the wartime zeitgeist.

Dr. Seuss Goes to War marks the first time most of these illustrations have appeared in print since they were first published. Richard H. Minear's introduction and explanatory chapters contextualize the 200 editorial cartoons (some of whose nuances might otherwise be lost on the modern reader). Those who grew up on Seuss will enjoy early glimpses of his later work; history buffs will enjoy this new--if playful and contorted--angle on World War II. --Sunny Delaney

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