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Drawing Words and Writing Pictures: Making Comics: Manga, Graphic Novels, and Beyond

Drawing Words and Writing Pictures: Making Comics: Manga, Graphic Novels, and Beyond List price: $29.95
Lowest new price: $14.21
Lowest used price: $14.20
Author: Jessica Abel

"A gold mine of essential information for every aspiring comics artist. Highly recommended." --Scott McCloud

Drawing Words and Writing Pictures is a course on comic creation – for college classes or for independent study – that centers on storytelling and concludes with making a finished comic.  With chapters on lettering, story structure, and panel layout, the fifteen lessons offered – each complete with homework, extra credit activities and supplementary reading suggestions – provide a solid introduction for people interested in making their own comics.  Additional resources, lessons, and after-class help are available on the accompanying website, www.dw-wp.com. 

Drawing Words and Writing Pictures was created by Jessica Abel and Matt Madden and based on their classes at the School of Visual Arts.  They are editors of the Best American Comics series and each has created a number of groundbreaking graphic novels, including Madden's 99 Ways to Tell a Story and Abel's La Perdida.

An Eisner Award Nominee

Drawing Words and Writing Pictures is a course on comic creation—for the classroom or for independent study—that centers on storytelling and concludes with making a finished comic.  With chapters on lettering, story structure, and panel layout, the fifteen lessons offered—each complete with homework, extra credit activities and supplementary reading suggestions—provide a solid introduction for people interested in making their own comics. 

Additional resources, lessons, and after-class help are available on the accompanying website, www.dw-wp.com. 



Table of Contents

PREFACE
The tsunami of comics: coming to a town near you
Comics education: the time is now
Enter Drawing Words & Writing Pictures
A note on the title
Acknowledgments
 
INTRODUCTION
Who is this book for?
     Sidebar: Forming a Nomad group
Organization of the book
Special features
Companion website for students and instructors
 
1. BUILDING BLOCKS—A working definition of comics, with an introduction to the most frequently used comics terms.

1.1 Know 'em when you see 'em
Defining "comics"
     Will Eisner
     Scott McCloud
     David Kunzle
     What we talk about when we talk about comics
Sidebar: What's in a name?

1.2 Comics terminology
Frequently used terms
Sidebar: Emanata
Sidebar: Can't Draw?  Read this
Activity: Drawing time

Homework: Drawing in action
Extra credit: Directed jam comic

2. EVERY PICTURE TELLS A STORY
—A look at the single-panel comic and how it works.

2.1 Word and image
The juxtaposition of word and image
The single-panel comic
A closer look: Cartoons and beyond
Activity: Gag reflex
Sidebar: Putting pen to paper

Homework: Gag me
Extra credit: Sum of its parts

3. THE STRIP CLUB—A discussion of how multi-panel strips work to tell simple stories, plus an overview of thumbnails.
 
3.1 A comic a day
Creating a comic strip
Variations in rhythm and pacing
A closer look: Three strips in action
     Bud Fisher's Mud and Jeff
     Roy Crane's Wash Tubbs
     Tony Millionaire's Maakies
Activity: The wrong planet
 
3.2 Thumbnails
Writing pictures
Creating thumbnails
 
Homework: Strip it down
Extra Credit: How to read Nancy
 
4. BRIDGING THE GAP—An introduction to what goes on between comics panels—in other words, panel transitions.
 
4.1 Reading between the lines
Transitions and closure
Seven types of panel transitions
Activity: Comic Jumble
 
Homework: Closure Comics
Extra credit: Five-card Nancy
 
5. PENCILING—An investigation of the pitfalls and strategies of penciling comics, plus a brief look at the basics of drawing the human figure.
 
5.1 Penciling comics
Ladies and gentlemen, sharpen your pencils!
Penciling pitfalls
Penciling strategies
     Blue Pencil
     Colored pencil
     Map it
     Photocopying or scanning up thumbs
     Drawing outside the box
     Preparatory drawings
     Tracing
Sidebar: Penciling toolbox
Sidebar: A master cartoonist's penciling method
Activity: Pencil one panel three different ways
 
5.2 Figuring out the figure 1: sticking to the basics
Using "figurettes"
 
Homework: Penciling
Extra credit: Practice drawing figurettes
Extra credit: Drawing figurettes by tracing photos
 
6. GETTING ON THE SAME PAGE—An examination of one-page comics and composition at the page level, plus a tutorial in laying out pages, tiers, and panels.
 
6.1 Elbow room
The one-pager
A closer look: Two masters of the Sunday page
     Segar: The page as story
     Herriman: The page as design
Elements of page design
     The grind
     More approaches to page design
     Reading order
     Title design
 
6.2 Laying out pages, tiers, and panels
Laying out a page
     Live area
     Inside the live area
     Original art size
     Page ratio
     Gutters
     Tiers
Activity: Lay out your live area
 
Homework: "A month of Sundays" thumbnails
Extra credit: Comic book book report: Sunday page
 
7. LETTERING—A focus on lettering, both as an art form and as a technical skill, plus a lesson on using the photocopier effectively.
 
7.1 Hand lettering
Drawing words
     Lettering is not handwriting
What's with the antique technology?
     A case for upper- and lower-case lettering
     Lettering styles
     Other lettering concerns
Welcome to Ames
Activity: Make lettering guidelines and practice lettering
Sidebar: Making word balloons
Activity: A comic with no pictures
 
7.2 The photocopier
The good, the bad, and the ugly
Sidebar: Ruling a straight line: some tools that will help
 
Homework: "A month of Sundays" penciling and lettering
Extra credit: Lettering that speaks for itself
 
8. INKING THE DEAL—A look at inking with a nib pen, and making corrections to final artwork.
 
8.1 Inking with a nib pen
What is inking for?
What's a nib pen?
Why nib pens?
Selecting a nib
     Two basic kinds of nibs
     Bowl-pointed nibs
     The thumbnail test
     Nib characteristics
     Buying nib sets
Handling a nib pen
Drawing with a nib pen
Troubleshooting nibs
Sidebar: Inking tools
Sidebar: A word on posture
Activity: Ink your own drawings with a nib
 
8.2 Making corrections
Basic corrections
Major corrections: Tracing and pasting
     Tracing
     Pasting
Sidebar: Making your corrections stick
 
Homework: "A month of Sundays" inking
Sidebar: More nib examples in this book
Extra credit: Line for line
 
9. STRUCTURING STORY—An introduction to the narrative arc, the most fundamental type of story structure.
 
9.1 The narrative arc
Uncovering story structure: Jessica's tale
The narrative arc
     Why so traditional?
     Why conflict?
Other narrative structures
 
9.2 The elements of a narrative arc
The five essential ingredients
     1. The protagonist
     2. The spark
     3. The escalation
     4. The climax
     5. The denouement

Learn to create your own comics with Drawing Words and Writing Pictures, a richly illustrated collection of 15 in-depth lessons that cover everything from crafting your story to lettering and laying out panels.

Take a Look Inside Drawing Words and Writing Pictures


Three Panels That Move Beyond the Grid

This page from Mike Mignola's Hellboy is a beautiful example of creating rhythm and mood. Read more... In Blankets, Craig Thompson tells his story through dramatic and unexpected page layouts. Read more... In David B.'s Epileptic, the shape and orientation of the panel reinforce the storytelling. Read more...



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