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|2: American Horizons: U.S. History in a Global Context, Volume II: Since 1865, with Sources
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Author: Michael Schaller
American Horizons, Second Edition, is the only U.S. History survey text that presents the traditional narrative in a global context. The authors use the frequent movement of people, goods, and ideas into, out of, and within America's borders as a framework. This unique approach provides a fully integrated global perspective that seamlessly contextualizes American events within the wider world. The authors, all acclaimed scholars in their specialties, use their individual strengths to provide students with a balanced and inclusive account of U.S. history.
Presented in two volumes for maximum flexibility, American Horizons, Second Edition, illustrates the relevance of U.S. history to American students by centering on the matrix of issues that dominate their lives. These touchstone themes include population movements and growth, the evolving definition of citizenship, cultural change and continuity, people's relationship to and impact upon the environment, political and ideological contests and their consequences, and Americans' five centuries of engagement with regional, national, and global institutions, forces, and events. In addition, this beautifully designed, full-color book features hundreds of photos and images and more than 100 maps.
|The World That Made New Orleans: From Spanish Silver to Congo Square
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Author: Ned Sublette
Brand: Brand: Chicago Review Press
Named one of the Top 10 Books of 2008 by The Times-Picayune.
Winner of the 2009 Humanities Book of the Year award from the Louisiana Endowment for the Humanities.
Awarded the New Orleans Gulf South Booksellers Association Book of the Year Award for 2008.
New Orleans is the most elusive of American cities. The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance.
The World That Made New Orleans offers a new perspective on this insufficiently understood city by telling the remarkable story of New Orleans’s first century--a tale of imperial war, religious conflict, the search for treasure, the spread of slavery, the Cuban connection, the cruel aristocracy of sugar, and the very different revolutions that created the United States and Haiti. It demonstrates that New Orleans already had its own distinct personality at the time of Louisiana’s statehood in 1812. By then, important roots of American music were firmly planted in its urban swamp--especially in the dances at Congo Square, where enslaved Africans and African Americans appeared en masse on Sundays to, as an 1819 visitor to the city put it, rock the city.”
This book is a logical continuation of Ned Sublette’s previous volume, Cuba and Its Music: From the First Drums to the Mambo, which was highly praised for its synthesis of musical, cultural, and political history. Just as that book has become a standard resource on Cuba, so too will The World That Made New Orleans long remain essential for understanding the beautiful and tragic story of this most American of cities.
- Used Book in Good Condition
|The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit (Princeton Classics)
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Author: Thomas J. Sugrue
Brand: Thomas J Sugrue
Once America's "arsenal of democracy," Detroit is now the symbol of the American urban crisis. In this reappraisal of America’s racial and economic inequalities, Thomas Sugrue asks why Detroit and other industrial cities have become the sites of persistent racialized poverty. He challenges the conventional wisdom that urban decline is the product of the social programs and racial fissures of the 1960s. Weaving together the history of workplaces, unions, civil rights groups, political organizations, and real estate agencies, Sugrue finds the roots of today’s urban poverty in a hidden history of racial violence, discrimination, and deindustrialization that reshaped the American urban landscape after World War II.
This Princeton Classics edition includes a new preface by Sugrue, discussing the lasting impact of the postwar transformation on urban America and the chronic issues leading to Detroit’s bankruptcy.
- The Origins of the Urban Crisis Race and Inequality in Postwar Detroit Princeton Classics
|Patriots, Loyalists, and Revolution in New York City, 1775-1776 (Second Edition) (Reacting to the Past)
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Author: Bill Offutt
A Norton original in the Reacting to the Past series, Patriots, Loyalists, and Revolution in New York City invites students to experience the chaos of the American Revolution. In this Reacting to the Past game, the classroom is transformed into New York City in 1775, where Patriot and Loyalist forces fight for advantage among a divided populace. Confronted with issues like bribery, the loss of privacy, and collapsing economic opportunity along with ideological concerns like natural rights, the philosophical foundations of government, and differing definitions of tyranny, students witness how discontent can lead to outright revolt.
Reacting to the Past is an award-winning series of immersive role-playing games that actively engage students in their own learning. Students assume the roles of historical characters and practice critical thinking, primary source analysis, and argument, both written and spoken.
For more information about the series, visit wwnorton.com/reacting.
- Greenwich Village, 1913: Suffrage, Labor, and the New Woman (Reacting to the Past)
- Give Me Liberty!: An American History (Seagull Fifth Edition) (Vol. 1)
- American Revolutions: A Continental History, 1750-1804
- Forced Founders: Indians, Debtors, Slaves, and the Making of the American Revolution in Virginia (Published by the Omohundro Institute of Early ... and the University of North Carolina Press)
- The Trial of Anne Hutchinson: Liberty, Law, and Intolerance in Puritan New England (Reacting to the Past)
- The Shoemaker and the Tea Party: Memory and the American Revolution
- The Threshold Of Democracy: Athens in 403 B.C. (Fourth Edition) (Reacting to the Past)
- The Constitutional Convention of 1787: Constructing the American Republic (Reacting to the Past)
- American Revolutions: A Continental History, 1750-1804
- The Unknown American Revolution: The Unruly Birth of Democracy and the Struggle to Create America
|Border Country: The Northwoods Canoe Journals of Howard Greene, 1906–1916
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Author: Martha Greene Phillips
Brand: Phillips Martha Greene
In the summer of 1906, a Milwaukee businessman set out with his young sons and some friends to canoe and camp in the north woods of Wisconsin, Minnesota, Michigan, and Canada. It was the first of several month-long journeys Howard Greene and “The Gang” would make over the years, each detailed in remarkable, handmade journals and documented in hundreds of large-format photographs. Reproduced here with a large selection of photographs and maps, these journals convey readers into a riverine world of outdoor adventure—a northland wilderness and way of life that were, even as Howard Greene charted their genuine charms, already vanishing.
Introduced and annotated by Greene’s daughter, these observant narratives run rapids and portage and paddle lakes and rivers, including the Chippewa, Wisconsin, St. Croix, and Presque Isle as well as traveling in areas now in Quetico Provincial Park and the Boundary Waters Canoe Area Wilderness. Along the way Greene, a skilled photographer, captures images of logging and mining operations, primitive dams and even more primitive camping, trading posts, and many remote Native American villages. Through it all runs the story of family and friendship forged over campfires in the north woods, reported with dry wit, a keen eye for detail, and an abiding interest in the natural world.
Composed decades before Sigurd Olson or Calvin Rutstrum began documenting the wild life of the upper Midwest, Howard Greene’s journals are a window into a world at once familiar and strange, the wilderness caught on the verge of becoming the North Woods we know today.
- Border Country The Northwoods Canoe Journals of Howard Greene 1906 1916
|Triangle: The Fire That Changed America
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Author: David von Drehle
Brand: Von Drehle, David
Sure to become the definitive account of the fire. . . . Triangle is social history at its best, a magnificent portrayal not only of the catastrophe but also of the time and the turbulent city in which it took place.” The New York Times Book Review
Triangle is a poignantly detailed account of the 1911 disaster that horrified the country and changed the course of twentieth-century politics and labor relations. On March 25, 1911, as workers were getting ready to leave for the day, a fire broke out in the Triangle Shirtwaist factory in New York’s Greenwich Village. Within minutes it spread to consume the building’s upper three stories. Firemen who arrived at the scene were unable to rescue those trapped inside: their ladders simply weren’t tall enough. People on the street watched in horror as desperate workers jumped to their deaths. The final toll was 146 people123 of them women. It was the worst disaster in New York City history. Triangle is a vibrant and immensely moving account that Bob Woodward calls, A riveting history written with flare and precision.”
|Let Us Now Praise Famous Men: The American Classic, in Words and Photographs, of Three Tenant Families in the Deep South
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Author: Walker Evans
A landmark work of American photojournalism “renowned for its fusion of social conscience and artistic radicality” (New York Times)
In the summer of 1936, James Agee and Walker Evans set out on assignment for Fortune magazine to explore the daily lives of sharecroppers in the South. Their journey would prove an extraordinary collaboration and a watershed literary event when, in 1941, Let Us Now Praise Famous Men was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land and the rhythm of their lives, is intensely moving and unrelentingly honest, and today—recognized by the New York Public Library as one of the most influential books of the twentieth century—it stands as a poetic tract of its time. With an elegant new design as well as a sixty-four-page photographic prologue featuring archival reproductions of Evans's classic images, this historic edition offers readers a window into a remarkable slice of American history.
Just what kind of book is Let Us Now Praise Famous Men? It contains many things: poems; confessional reveries; disquisitions on the proper way to listen to Beethoven; snippets of dialogue, both real and imagined; a lengthy response to a survey from the Partisan Review; exhaustive catalogs of furniture, clothing, objects, and smells. And then there are Walker Evans's famously stark portraits of depression-era sharecroppers--photographs that both stand apart from and reinforce James Agee's words.
Assigned to do a story for Fortune magazine about sharecroppers in the Deep South, Agee and Evans spent four weeks living with a poor white tenant family, winning the Burroughs's trust and immersing themselves in a sharecropper's daily existence. Given a first draft of the resulting article, the editors at Fortune quite understandably threw up their hands--as did several other editors who subsequently worked with a later book-length manuscript. The writing was contrary. It refused to accommodate itself to the reader, and at times it positively bristled with hostility. (What other book could take Marx as the epigraph and then announce: "These words are quoted here to mislead those who will be misled by them"?) Response to the book was puzzled or unfriendly, and Let Us Now Praise Famous Men sputtered out of print only a few short years after its publication. It took the 1960s, and a vogue for social justice, to bring Agee's masterwork the audience it deserved.
Yet the book is far more interesting--aesthetically and morally--than the sort of guilty-liberal tract for which it is often mistaken. On an existential level, Agee's text is a deeply felt examination of what it means to suffer, to struggle to live in spite of suffering. On a personal level, it is the painful, beautifully written portrait of one man's obsession. In its collaboration with Evans's photographs, the book is also a groundbreaking experiment in form. In the end, however, it is more than merely the sum of its parts. Let Us Now Praise Famous Men is, quite simply, a book unlike any other, simmering with anger and beauty and mystery. --Mary Park
|The Apache Wars: The Hunt for Geronimo, the Apache Kid, and the Captive Boy Who Started the Longest War in American History
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Author: Paul Andrew Hutton
In the tradition of Empire of the Summer Moon, a stunningly vivid historical account of the manhunt for Geronimo and the 25-year Apache struggle for their homeland.
They called him Mickey Free. His kidnapping started the longest war in American history, and both sides--the Apaches and the white invaders—blamed him for it. A mixed-blood warrior who moved uneasily between the worlds of the Apaches and the American soldiers, he was never trusted by either but desperately needed by both. He was the only man Geronimo ever feared. He played a pivotal role in this long war for the desert Southwest from its beginning in 1861 until its end in 1890 with his pursuit of the renegade scout, Apache Kid.
In this sprawling, monumental work, Paul Hutton unfolds over two decades of the last war for the West through the eyes of the men and women who lived it. This is Mickey Free's story, but also the story of his contemporaries: the great Apache leaders Mangas Coloradas, Cochise, and Victorio; the soldiers Kit Carson, O. O. Howard, George Crook, and Nelson Miles; the scouts and frontiersmen Al Sieber, Tom Horn, Tom Jeffords, and Texas John Slaughter; the great White Mountain scout Alchesay and the Apache female warrior Lozen; the fierce Apache warrior Geronimo; and the Apache Kid. These lives shaped the violent history of the deserts and mountains of the Southwestern borderlands--a bleak and unforgiving world where a people would make a final, bloody stand against an American war machine bent on their destruction.
|Glass House: The 1% Economy and the Shattering of the All-American Town
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Author: Brian Alexander
For readers of Hillbilly Elegy and Strangers in Their Own Land
**A New York Post Must-Read Book, a Newsweek Best New Book, one of The Week's 20 Books to Read in 2017, one of Bustle's 16 Best Nonfiction Books Coming in February 2017**
"A devastating read...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." ―The Wall Street Journal
"This book hunts bigger game." ―Laura Miller, Slate
In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion.
The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.
|Midnight in the Garden of Good and Evil
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Author: John Berendt
Brand: Random House
Shots rang out in Savannah's grandest mansion in the misty,early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.
It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.
Midnight in the Garden of Good and Evil: A Savannah Story is a sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city is certain to become a modern classic.
Voodoo. Decadent socialites packing Lugars. Cotillions. With towns like Savannah, Georgia, who needs Fellini? Midnight in the Garden of Good and Evil takes two narrative strands--each worthy of its own book--and weaves them together to make a single fascinating tale. The first is author John Berendt's loving depiction of the characters and rascals that prowled Savannah in the eight years it was his home-away-from-home. "Eccentrics thrive in Savannah," he writes, and proves the point by introducing Luther Diggers, a thwarted inventor who just might be plotting to poison the town's water supply; Joe Odom, a jovial jackleg lawyer and squatter nonpareil; and, most memorably, the Lady Chablis, whom you really should meet for yourself. Then, on May 2, 1981, the book's second story line commences, when Jim Williams, a wealthy antique dealer and Savannah's host with the most, kills his "friend" Danny Hansford. (If those quotes make you suspect something, you should.) Was it self-defense, as Williams claimed--or murder? The book sketches four separate trials, during which the dark side of this genteel party town is well and truly plumbed.
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