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|Live Wire/Blues Power
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24 bit remastered reissued 1968 Stax classic - blistering blues guitar workouts live at the Fillmore
|Live At The Beacon
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2001 collection of modern guitar-based Blues including cuts from legends such as Muddy Waters, Freddy King, Bobby Bland, and John Lee Hooker, along with recent Blues stars like Stevie Ray Vaughan and his followers Kenny Wayne Shepherd and Jonny Lang.
A good introduction to modern guitar-based blues, Pure Blues features classics by Muddy Waters, Freddy King, Bobby Bland, and John Lee Hooker, along with recent blues stars like Stevie Ray Vaughan and his followers Kenny Wayne Shepherd and Jonny Lang. While attributing classic status to Susan Tedeschi's "Just Won't Burn" may chafe some purists, this comp clearly wasn't intended for the die-hard blues fanatic. But as an introduction, it illustrates the blues tradition and its influence on rock (and rock's influence on the blues) quite nicely. For fans of the Allman Brothers (whose version of Blind Willie McTell's classic "Statesboro Blues" is included) or Eric Clapton's work with Derek & the Dominos or for dad at Christmas, this would make a good gift. Also, if this manages to inspire anyone to pick up Etta James's classic Tell Mama set, the folks at UTV will have done the world a service. --Mike Johnson
|One More Car, One More Rider
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Eric Clapton's first live album since 1992's 10-times-platinum multi-Grammy-winning Unplugged, the 2-CD One More Car, One More Rider features songs performed during his triumphant 2001 concert tour. Coming off 2000's Riding With The King, Clapton's double-platinum, Grammy-winning, #3-charting collaboration with BB. King, the guitar god followed with 2001's gold, Grammy-winning, #5 Reptile. The ensuing tour, including concerts in Los Angeles and Tokyo recorded on One More Car, One More Rider, brought together hits and favorites spanning his entire career, from "Badge" and "Layla" to "Change The World" and "Tears In Heaven." Get on board One More Car, One More Rider, the live Clapton retrospective.
Eric Clapton's first live album since 1992's zeitgeist-capturing Unplugged, is, as one would expect, full of well-tailored highlights from his back-catalog of bristly, well-kept blues. Recorded in Los Angeles and Tokyo during his 2001 world tour, and featuring the accompaniment from the likes of Andy Fairweather-Low and Billy Preston, it's an album that serves to satisfy both Clapton purists (there's a four-song sequence of tracks from Pilgrim, shorn of their original anodyne synthesizer embellishments) and adult pop fans who prefer their blues from the decanter rather than the bottle ("Tears in Heaven," a sublime "Bell Bottom Blues," a rather poised, applause-riddled "Layla"). One More Car is an engaging live document that finds EC far from asleep at the wheel. --Kevin Maidment
- CLAPTON ERIC ONE MORE CAR,ONE MORE RIDER (2CD)
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NEW Combo BLUWAVS CD and FLAC FILE
|Live In Cook County Jail
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B.B. headed to the hoosegow in '71 and emerged with one of the best live blues recordings of all time-and his first Top 25 album. Includes inspired versions of The Thrill Is Gone; Sweet Sixteen; Everyday I Have the Blues; Please Accept My Love , and more.
One of the greatest concert recordings of all time. How could it be less, with B.B. King performing some of his best material before a literally captive audience in an Illinois prison? "Worry, Worry" and "How Blue Can You Get" take on deeper meanings here, although King works the latter's camp lyrics as if he were in a juke joint. His mix of down-home humility and commanding stagecraft is instantly appealing. And his guitar barks, sings, and squeals with such authority that this is a bravura performance from the first bent, soul-searing note. A true desert-island disc. --Ted Drozdowski
- KING B. B. LIVE IN COOK COUNT
|Stone Crazy! [Vinyl LP]
Lowest new price: $13.08
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Remastered on 180g vinyl. Available on vinyl for the first time in over 20 years.
This is the one. This is the album that his fans have been waiting for -- the album that finally captures the raw, almost-out-of-control guitar genius of Buddy Guy. It's simply Buddy and his own touring band -- no studio musicians, no ''special guests'' just the solid skin-tight backing of brother Phil and one of Chicago's hottest young rhythm sections. The tunes were cut in a studio in France, but they feel just like the last smoky set at the Checkerboard Lounge, Buddy's own club in the heart of Chicago's South Side.
Buddy's fans have been waiting a long time. His last album, recorded with longtime partner Junior Wells, was an all-star jam featuring Eric Clapton, Dr. John and the J. Geils Band, but not really a guitar showcase for Buddy. In fact, it's been fourteen years since the classic album, A Man And The Blues, when Buddy, inspired by the late keyboard wizard Otis Spann, really let go in the studio. It's been twenty years since his wildman guitar and manic vocals were first heard on those great Chess 45s like ''The First Time I Met The Blues,'' ''My Time After Awhile'' and ''Stone Crazy.''
It's his frenzied live performances that have made Buddy legendary. First, during his years of residency at Theresa's in Chicago, taking on every guitar player who passed through the Windy City. Then over a decade on the road with Junior, barnstorming through the U.S., Japan and Africa, and touring Europe with the Rolling Stones. He devastated the Montreux Jazz Festival, with the Stones sitting in. He's won the admiration of everyone who ever tried to pick the blues on guitar, from B.B. King to Eric Clapton. And always the question --''When will Buddy really cut loose like those blazing nights on the bandstand, and get crazy again on a record?''
Here's the answer.
- Ships in Certified Frustration-Free Packaging
|Paul Butterfield Blues Band
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Bloomfield, Bishop and Butterfield knocked down walls between black and white with their strong love of blues and their equally powerful chops. Here are Born in Chicago; Blues with a Feeling; Last Night; Mellow Down Easy , and the rest of their 1965 debut!
A slew of albums by young white men out of their minds in love with music made by older black men came from both sides of the Atlantic during the mid-1960s, but two records really laid the groundwork for the decade's blues revival--the self-titled releases by John Mayall's Bluesbreakers out of London and the Paul Butterfield Blues Band out of Chicago. Both bands were led by harmonica-blowing vocalists; both featured ascending guitar gods--Eric Clapton with Mayall and Mike Bloomfield with Butterfield. Butterfield's ensemble, however, came of age closer to the roots of the music. The rhythm section heard on the group's 1965 debut was hired away from Howlin' Wolf, and Butterfield, while still in his early 20s when the album shipped, was already a familiar face on the Windy City's club circuit. "Born in Chicago" opens the album on a gritty note that never flags through this 11-track landmark. The slashing duo guitars of Bloomfield and Elvin Bishop and Butterfield's flash harp helped make Muddy Waters fathomable for a new audience and, decades later, it's still easy to understand how. --Steven Stolder
Lowest new price: $5.36
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Brand: King, Albert
In Session by Albert King, Stevie Ray Vaughan
When sold by Amazon.com, this product will be manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.
Recorded for a television program of the same name back in 1983, In Session bills itself as the only known recording of Stevie Ray Vaughan and Albert King, who was Vaughan's idol and mentor, playing together. That leads to some heavy expectations, which fortunately aren't disappointed, at least if you aren't expecting the customary over-the-top performances Vaughan was famous for. His playing here is much more laid-back and controlled, which is actually a recommendation--the stylistic similarities between teacher and student are that much more pronounced. The songs are mostly King concert staples, with the exception of "Pride and Joy"; highlights include the T-Bone Walker classic "Call It Stormy Monday" and one of King's own, "Overall Junction," which features some excellent guitar solo work. The snippets of recorded conversation between songs are interesting curiosities as well. --Genevieve Williams
- Albert King & Stevie Ray Vaughan - In Session
|Martin Scorsese presents The Blues - A Musical Journey
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CONTAINS: FEEL LIKE GOING HOME: THE SOULD OF A MAN: THE ROAD TO MEMPHIS: WARNING BY THE DEVIL'S FIRE: GODFATHER'S AND SONS: RED WHITE & BLUES: AND PLANO BLUES.
It may have been underrated when first broadcast on PBS on consecutive nights in the fall of '03, but executive producer Martin Scorsese's homage to the blues is a truly significant, if imperfect, achievement. "Musical journey" is an apt description, as Scorsese and the six other directors responsible for these seven approximately 90-minute films follow the blues--the foundation of jazz, soul, R&B, and rock & roll--from its African roots to its Mississippi Delta origins, up the river to Memphis and Chicago, then to New York, the United Kingdom, and beyond. Some of the films (like Wim Wenders's The Soul of a Man and Charles Burnett's Warming by the Devil's Fire) use extensive fictional film sequences, generally to good effect. There's also plenty of documentary footage, interviews, and contemporary studio performances recorded especially for these films.
The last are among the best aspects of the DVDs, as the bonus material features the set's only complete tunes. Lou Reed's "See That My Grave Is Kept Clean" and the ElektriK Mud Kats' (with Chuck D. of Public Enemy) hip-hop-cum-traditional updating of Muddy Waters's "Mannish Boy" are among the best of them; on the other hand, a rendition of "Cry Me a River" by Lulu (?!) is a curious choice, even with Jeff Beck on hand. The absence of lengthier vintage clips, meanwhile, is the principal drawback. For that reason alone, Clint Eastwood's Piano Blues is the best of the lot; a musician himself, Eastwood simply lets the players play, which means we get extensive file footage of the likes of Art Tatum, Oscar Peterson, and Nat "King" Cole, as well as new performances by Ray Charles, Dr. John, and others. Overall, this is a set to savor, a worthwhile investment guaranteed to grow on you over the course of repeated viewings. --Sam Graham
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