|Browse by Catagory:
|The Rolling Stones - From The Vault: No Security. San Jose '99 [DVD/2CD]
Lowest new price: $18.34
Lowest used price: $20.10
List price: $24.98
Brand: Eagle Vision
The Rolling Stones’ No Security tour ran from January to June 1999 through North America and Europe. It followed on from the colossal Bridges To Babylon tour and took its name from the “No Security” live album recorded on that 1997/98 tour. In reaction to the huge stadiums played on Bridges To Babylon the conscious decision was made to book smaller venues for the initial North American leg of the No Security tour. This latest addition to the acclaimed From The Vaults series was filmed at the San Jose Arena in front of an audience of a little over 30,000 (intimate by Rolling Stones standards!) at the end of the North American dates. Previously unreleased, it captures the band in top form playing a set that spans from mid-sixties hit singles up to the then current Bridges To Babylon album.
Mick Jagger (vocals, guitar, harmonica); Keith Richards (guitar, vocals); Charlie Watts (drums); Ronnie Wood (guitar)
With: Darryl Jones (bass, backing vocals); Chuck Leavell (keyboards, backing vocals); Bobby Keys (saxophone); Tim Ries (saxophone, keyboards); Michael Davis (trombone); Kent Smith (trumpet); Lisa Fischer (backing vocals); Bernard Fowler (backing vocals, percussion); Blondie Chaplin (backing vocals, percussion, acoustic guitar)
DVD Track Listing
1. Jumpin’ Jack Flash
3. You Got Me Rocking
5. Honky Tonk Women
6. I Got The Blues
7. Saint Of Me
8. Some Girls
9. Paint It Black
10. You Got The Silver
11. Before They Make Me Run
12. Out Of Control
13. Route 66
14. Get Off Of My Cloud
15. Midnight Rambler
16. Tumbling Dice
17. It’s Only Rock ‘n’ Roll (But I Like It)
18. Start Me Up
19. Brown Sugar
20. Sympathy For The Devil
1. Jumpin’ Jack Flash
3. You Got Me Rocking
5. Honky Tonk Women
6. I Got The Blues
7. Saint Of Me
8. Some Girls
9. Paint It Black
10. You Got The Silver
11. Before They Make Me Run
1. Out Of Control
2. Route 66
3. Get Off Of My Cloud
4. Midnight Rambler
5. Tumbling Dice
6. It’s Only Rock ‘n’ Roll (But I Like It)
7. Start Me Up
8. Brown Sugar
9. Sympathy For The Devil
|Guardians of the Galaxy: Awesome Mix Vol.1
Lowest new price: $8.43
Lowest used price: $6.04
GUARDIANS OF THE GALAXY AWESOME MIX VOL. 1 is the collection of songs featured in the film. Music plays a major role in GUARDIANS OF THE GALAXY as the 1970s songs featured in the film are part of the storyline in a unique way. Explaining how the songs come to play in the story, director James Gunn says, 'One of the main story points in the movie is that Quill has this compilation tape (Awesome Mix #1) that he got from his mother before she died that she made for him. It was of songs that she loved, all songs from the 1970s, and that's the only thing he has left of his mother and that's the only thing he has left of his home on Earth. He uses that as a connection to his past and to the sadness that he feels of having left all that and lost all that.'
From Marvel, the studio that brought you the global blockbuster franchises of Iron Man, Thor, Captain America and The Avengers, comes a new team the GUARDIANS OF THE GALAXY. An action-packed, epic space adventure, Marvel's GUARDIANS OF THE GALAXY expands the Marvel Cinematic Universe into the cosmos, where brash adventurer Peter Quill finds himself the object of an unrelenting bounty hunt after stealing a mysterious orb coveted by Ronan, a powerful villain with ambitions that threaten the entire universe. To evade the ever-persistent Ronan, Quill is forced into an uneasy truce with a quartet of disparate misfits Rocket, a gun-toting raccoon, Groot, a tree-like humanoid, the deadly and enigmatic Gamora and the revenge-driven Drax the Destroyer. But when Quill discovers the true power of the orb and the menace it poses to the cosmos, he must do his best to rally his ragtag rivals for a last, desperate stand with the galaxy's fate in the balance.
Marvel's GUARDIANS OF THE GALAXY, which first appeared in comic books in Marvel Super-Heroes, Issue #18 (Jan. 1969), stars Chris Pratt, Zoe Saldana, Dave Bautista, featuring Vin Diesel as Groot, Bradley Cooper as Rocket, Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, with John C. Reilly, Glenn Close as Nova Prime and Benicio Del Toro as The Collector. James Gunn is the director of the film with Kevin Feige, p.g.a., producing. Louis D'Esposito, Alan Fine, Victoria Alonso, Jeremy Latcham, Nik Korda and Stan Lee serve as executive producers. Marvel's GUARDIANS OF THE GALAXY is written by James Gunn and Nicole Perlman.
|Vanished Gardens (Feat. Lucinda Williams)
Lowest new price: $11.98
Lowest used price: $11.94
Brand: Blue Note
At 80 years old, NEA Jazz Master Charles Lloyd remains an intrepid musical pioneer, entering his ninth decade at a creative peak in what now stands as a mountainous and formidable career. With his newest band The Marvels—a guitar-driven group featuring Bill Frisell, Greg Leisz, Reuben Rogers, and Eric Harland—Lloyd released the 2016 album I Long To See You which NPR called “music that evokes an uncommon state of grace.” Now on Vanished Gardens, The Marvels add a new dimension by collaborating with revered singer-songwriter Lucinda Williams to pioneer a new genre of Americana Jazz that draws on the musicians many influences and experiences with reimagined versions of Williams favorites, new Lloyd originals, and covers of Jimi Hendrix, Thelonious Monk, and more.
|Last Man Standing
Lowest new price: $5.98
Lowest used price: $11.22
Brand: Sony Legacy
With Last Man Standing, Willie Nelson has added 11 essential new songs to his classic catalog. Comprised entirely of songs newly-penned by Willie along with longtime collaborator and producer Buddy Cannon, it is one of his most personal and introspective albums to-date. An album that acknowledges the transience of time while marveling at the joy, beauty and surprise the world has to offer, Last Man Standing finds Willie Nelson rolling at a creative peak, writing and singing and playing with the seasoned wit and wisdom that comes from the road.
Lowest new price: $7.64
Lowest used price: $5.79
Brand: Mercury Nashville
"His voice is just incredible...it's like caramel." Adele
"REAL music fans already know. So, mainstream: Chris Stapleton. Remember that name..." Justin Timberlake
"One of the best singers on the planet. It's ridiculous...so good. So good" Little Big Town
"Stapleton's writing is masterful, but his huge country/blues voice think Gregg Allman by way of the Kentucky coal mines is what will really blow your hair back and make you literally feel every word he sings." Rolling Stone
"Every once in a while you run into a singer here in Nashville who just blows you away, an artist who can create sound in an effortless manner and transport your soul out of this world. This morning that someone proved to be Chris Stapleton." Country Weekly
Nashville, Tenn. Chris Stapleton's highly anticipated solo debut album, Traveller, will be released May 5 on Mercury Records Nashville. As a special preview, a behind-the-scenes album trailer can now be viewed here.
Already a world-renowned songwriter, Stapleton has enjoyed five #1 hits including the five-week No. 1 "Never Wanted Nothing More" recorded by Kenny Chesney, George Strait's "Love's Gonna Make it Alright" and Luke Bryan's "Drink A Beer", which Stapleton recently performed with Lady Antebellum at the recent CMT Artists of the Year show (watch the performance here).
Recorded at Nashville's historic RCA Studio A (with additional production at The Castle and Blackbird Studio), Traveller was produced by Dave Cobb (Sturgill Simpson, Jason Isbell) and recorded by Vance Powell (Jack White). In addition to renditions of Dean Dillon and Linda Hargrove s Tennessee Whiskey and Don Sampson's Was It 26, the album features twelve original songs, including fan-favorite "Sometimes I Cry".
Last night, during a special album reveal party, Stapleton returned to RCA Studio A to record a new version of "Sometimes I Cry" live-to-tape in front of an audience allowing a unique, once-in-a-lifetime glimpse inside the making of the album. The track is currently being mastered and will be added to the final track-listing very shortly.
Of his inspiration behind the record, Stapleton comments, "This record was made standing on the shoulders of friends, family, and heroes. I hope people enjoy listening to it as much as I've enjoyed making it."
Over the course of his acclaimed career, Stapleton has penned over 170 album cuts, including songs recorded by Adele, Tim McGraw, Brad Paisley and Dierks Bentley, and has such notable co-writers as Vince Gill, Peter Frampton and Sheryl Crow among others.
Additionally, Stapleton has shared the stage with such respected artists as Gill, Alison Krauss, Marty Stuart, Emmylou Harris and more. As lead vocalist for critically acclaimed bluegrass band The SteelDrivers, Stapleton earned three Grammy nominations including Best Bluegrass Album, as well as an International Bluegrass Music Association Award for Emerging Artist of the Year. He's also won eight ASCAP Awards and has contributed to the soundtracks of several feature films including Cars 2 and Valentine s Day.
In celebration of the release, Stapleton will join Little Big Town on their Pain Killer Tour in March followed by a series of The Outsiders World Tour shows with Eric Church in May.
|beerbongs & bentleys
Lowest new price: $7.99
Lowest used price: $10.87
Following the success of his multi-platinum debut album, ‘Stoney,’ Post Malone is set to release his highly anticipated sophomore album ‘beerbongs & bentleys’ on April 27th via Republic Records. The album includes the massive hit singles ‘Psycho’ which is already Top 20 at Top 40 radio and Top 5 at Rhythm Radio and the certified 6x platinum single ‘rockstar’ which peaked at #1 on the Billboard Hot 100 for 8 consecutive weeks.
Lowest new price: $18.86
Lowest used price: $13.99
The Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut
Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper's Lonely Heart Club Band's cut-outs, and special inner bags for some of the titles
The titles include The Beatles' 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group's core catalogue, and Past Masters, Volumes One & Two, first released individually in 1988, featuring non-album A-sides and B-sides, EP tracks and rarities. With this release, The Beatles' first four albums make their North American stereo vinyl debuts
There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple
The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl
A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers
The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs
Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this
The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli
An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.
Lowest new price: $8.78
Lowest used price: $5.84
Three thousand years ago, the greatest sailors in the world voyaged across the vast Pacific, discovering the many islands of Oceania. But then, for a millennium, their voyages stopped and no one knows why.
From Walt Disney Animation Studios comes "Moana," a sweeping, CG-animated feature film about an adventurous teenager who sails out on a daring mission to save her people. During her journey, Moana (voice of Auli i Cravalho) meets the once-mighty demigod Maui (voice of Dwayne Johnson), who guides her in her quest to become a master wayfinder. Together, they sail across the open ocean on an action-packed voyage, encountering enormous monsters and impossible odds, and along the way, Moana fulfills the ancient quest of her ancestors and discovers the one thing she's always sought: her own identity. Directed by the renowned filmmaking team of Ron Clements and John Musker (The Little Mermaid, Aladdin, The Princess & the Frog) and produced by Osnat Shurer (Lifted, One Man Band), Moana sails into U.S. theaters on Nov. 23, 2016.
Lowest new price: $5.94
Lowest used price: $4.44
Brand: Keith Urban
After nine full-length studio records, four GRAMMY® Awards, and millions of albums, songs, and tickets sold worldwide, Keith Urban continues to explore. The singer, songwriter, multi-instrumentalist, and producer, continues to follow his curiosity.
“I’ve always been creatively curious and I follow that passionately. That’s why I work with different people, and on this album predominantly new people, giving me an opportunity to discover new musical sides of myself.”
While his ninth studio offering Graffiti U, [Hit Red Records/Capitol Records Nashville] highlights a natural musical progression that began with RIPCORD, it also marks where Urban currently resides creatively. It’s this sense of presence during his writing and recording process that gives each of Urban’s albums an unabashed honesty and authenticity.
A soaring spirit spray-painted right from the heart, Urban’s curiosity powers each moment on Graffiti U. The very title speaks to that personal and passionate vibrancy, vitality, and vision.
“There were no parameters or preconceived ideas,” says Urban. “I began this process with a completely blank canvas. Every initial spark is organic and then expanded upon, like the art of graffiti, so the name really fit the music. I also liked the idea of “you” the listener (or the audience), because this is an inclusive experience. And because of my last name we had a little grammatical fun and shortened it to U…you get the idea,” he smiles.
Coming off the road in support of the platinum-certified 2016 offering RIPCORD, Urban began gathering ideas for the follow-up as early as January 2017. The creative process percolated from a series of personal playlists that shuffled between a multitude of different artists and musical styles that spoke to him. Shazam-ing anywhere and everywhere, he captured a variety of new colors and tones.
“I’m the idiot standing on the table at a restaurant trying to get my phone close enough to the speaker to tag a song for my ‘Tag Playlist!’,” he laughs. “The playlists turn into my big palette of colors, that I take into the studio and paint with.”
Large parts of Graffiti U were recorded at Urban’s home studio, Skeye Studio, outfitted with a vintage seventies Neve console. It transformed into the perfect creative haven where he could write and record on the spot with “no time limit or clean up required at the end.”
Along the way, he joined forces with a bevy of multi-talented collaborators as he served as a co-producer and/or co-writer on all but one of Graffiti U’s 13 tracks. Those included long-time buddies - previous collaborators Greg Wells, Dann Huff, Mike Elizondo, and JHart, as well as new collaborators Julia Michaels, J.R. Rotem, Captain Cuts, Jason Evigan, and more. As a result of this varied list of collaborators, Urban then took his time in balancing the ebbs and flows of the album’s sequencing - as though he were creating a set list for one of his concerts.
“I realized I put together albums the same way I put set lists together at a show,” he goes on. “I literally take the exact same approach. I know how I want to start, how I want to finish, and what I want the musical journey in between to be.”
Graffiti U’s opener and 2018 single “Coming Home” [feat. Julia Michaels], is built on a sample of a signature lick from Merle Haggard’s “Mama Tried” produced with J.R. Rotem and Urban over a cinematic soundscape.
“Sonically, it’s very city,” he remarks. “When I think of city, I think of being slightly lonely and lost. It’s often a place you have to be, but not where you’re from. I remembered coming to Nashville and feeling a little bit of that. My dreams were here. I wanted to be here, but it was sometimes tough to be able to get into my car and drive home for the weekend. Whether you’re a salesman, an actor, or in the military, many of us have a calling away from home. All of the texting and FaceTiming with your family isn’t the same as being there. I think Julia summed it up perfectly when she said, ‘I know it’s only one call away, but it’s not the same.’”
The hypnotic and heartfelt “Parallel Line,” co-written by Ed Sheeran, Johnny McDaid, Julia Michaels, Amy Wadge and Benjamin Levin, co-produced by Benny Blanco, Sheeran, McDaid and Urban, juxtaposes Sheeran’s original raw guitar recording and a knockout vocal from Urban.
Urban personally plays the funkified bass line on the summer amphitheater-tailored “Never Comin Down” where “he takes the role of a concertgoer giving in to the magic of a great performance.” Then, there’s “Female,” which he debuted on stage at the 51st annual CMA Awards in November 2017 and “My Wave” [feat. Shy Carter) that channels his love for the Caribbean.
Elsewhere, “Drop Top” [feat. Kassi Ashton] revs up a story of driving to Coachella sound-tracked by a rip-roaring guitar lead and equally raucous cameo courtesy of Ashton. “Gemini” paints an incredibly playful picture of his wife, while finally, “Steal My Thunder” leaves the listener with another inclusive message, “You can steal my thunder any time.”
And there’s a lot of thunder to steal…
To date, Urban has landed 23 career number ones and sold more than 20 million albums. He counts four GRAMMYS®, twelve CMA Awards, eleven ACM Awards, four AMAs, and a People’s Choice Award among his growing list of accolades.
Every time Urban explores, he connects.
“I create music from feel, and I hope people feel this album,” he leaves off.
“Art hits all of us in different ways at different times of the day, times of the year, and times of our lives. I feel like Graffiti U captures the spirit of my life right now, but it’s an ongoing story.”
|Guardians Of The Galaxy Vol. 2: Awesome Mix Vol. 2
Lowest new price: $5.63
Lowest used price: $3.85
Set to the all-new sonic backdrop of Awesome Mixtape #2, Marvel Studios' "Guardians of the Galaxy Vol. 2" continues the team's adventures as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill's true parentage. Old foes become new allies and fan-favorite characters from the classic comics will come to our heroes' aid as the Marvel Cinematic Universe continues to expand.
"Guardians of the Galaxy Vol. 2" is written and directed by James Gunn and stars Chris Pratt, Zoe Saldana, Dave Bautista, featuring Vin Diesel as Baby Groot, Bradley Cooper as Rocket, Michael Rooker, Karen Gillan, Pom Klementieff, Elizabeth Debicki, Chris Sullivan, Sean Gunn, Tommy Flanagan, Laura Haddock, with Sylvester Stallone, and Kurt Russell. Kevin Feige is producing, and Louis D'Esposito, Victoria Alonso, Jonathan Schwartz, Nikolas Korda and Stan Lee are the executive producers. Marvel Studios' "Guardians of the Galaxy Vol. 2" blasts into theaters on May 5, 2017.
Page 5 of 565177
CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED AS IS AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.