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Includes Santa Claus Baby Voices; Christmas Blues Canned Heat; Merry Christmas Lightnin' Hopkins; Merry Christmas Baby Charles Brown & Band, and more.
Blue Yule is without question one of the hippest collections of rhythm & blues Christmas music ever assembled. The disc boasts the likes of Louis Jordan, John Lee Hooker, the gospel-powered Pilgrim Travelers, and Johnny and Edgar Winter, as well as the likes of Detroit Junior ("Christmas Day") and Canned Heat ("Christmas Blues"). Lengthy even by contemporary CD standards, this 18-tracker also includes Charles Brown, Big Jack Johnson, Roy Milton, and the inscrutable Lightnin' Hopkins wishing you both "Merry Christmas" and "Happy New Year." But perhaps the set's greatest gift is also it's strangest--Sonny Boy Williamson's "Santa Claus," a rousing midtempo blues-rocker with a biting harp break and weird, funky lyrics about Sonny Boy going through his wife's drawers. --Martin Keller
|Raising Sand [Vinyl]
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Double vinyl edition of their classic album which was released in October 2007.
|Genuine Houserockin Christmas
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(2000s 'Alligator') (60:28/16) Diese Aufnahmen gibt's nur auf diesem Album / exclusive unreleased recordings.
Have You Heard The News? - TAYLOR, Koko
Christmas Train - BELL, Carey
Christmas Snow - BURKS, Michael
Christmas Time - LIL'ED & THE BLUES IMPERIALS
Stay A Little Longer, Santa - COPELAND, Shemekia
Back Door Santa - HOLMES BROTHERS
Christmas Party - CLARK, W.C.
Zydeco Christmas - CHENIER, C.J.
Christmas Day Blues - CHEPAS, John & PHIL WIGGINS
Christmas Fais Do Do - BALL, Marcia
Santa Claus, Do You Ever Get The Blues? - ROOMFUL OF BLUES
Really Been Good This Year - SAFFIRE
All I Want For Christmas - BROOKS, Lonnie
A Bluesman's Christmas - MONTOYA, Coco
It's Christmas Time Again - LITTLE CHARLIE & THE NIGHTCATS
Fattening Up The Turkey - HOLE, Dave
|Born Under A Bad Sign [Stax Remasters]
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Brand: King, Albert
The Rock-n-Roll Hall Of Fame guitarist's most celebrated album re-mastered and expanded with 5 previously unreleased bonus tracks!
|Anthology of American Folk Music (Edited by Harry Smith)
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Over 50 years after its original 1952 vinyl release, this is still the best American roots music collection around! Musicologist Harry Smith assembled the anthology from 78 rpm discs issued between 1927 and 1935. This 6-CD reissue was painstakingly researched, annotated and packaged to perfection. With 84 rare tracks, this one is a library all by itself! Includes Drunkard's Special Coley Jones; Peg and Awl Carolina Tar Heels; Frankie Mississippi John Hurt; Engine 143 Carter Family; Indian War Whoop Hoyt Ming & His Pep-Steppers; Newport Blues Cincinnati Jug Band; John the Revelator Blind Willie Johnson; Fifty Miles of Elbow Room Rev. F.W. McGee; Sugar Baby Dock Boggs; See That My Grave Is Kept Clean Blind Lemon Jefferson; The Lone Star Trail Ken Maynard, and many more!
This impressive--and frankly, fun--musical document is still sending out shock waves almost 50 years after its original 1952 vinyl release. The Smithsonian's six-CD reissue is painstakingly researched, annotated, and packaged (even boasting an enhanced disc for the techno-capable). Unlike field recorders, eccentric filmmaker/collector/musicologist Harry Smith assembled the Anthology from commercially released (though obscure) 78 rpm discs issued between 1927 and 1935. Its broad scope--from country blues to Cajun social music to Appalachian murder ballads--was monumentally influential, setting musicians like Bob Dylan down the path to folk fandom. The White House started its own national music library with the Anthology; anyone with more than a passing interest in American roots music should do the same. --Michael Ruby
More from Smithsonian Folkways
The Harry Smith Connection: A Live Tribute To The Anthology Of American Folk Music
Classic Maritime Music from Smithsonian Folkways Recordings
Smithsonian Folkways American Roots Collection
Classic Mountain Songs from Smithsonian Folkways
Classic Blues From Smithsonian Folkways
Folkways: The Original Vision
|The Definitive Collection
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One of the greatest blues musicians of all time, Muddy Waters is still pulling new fans into the blues today, more than two decades after his death. His visibility seems to increase, rather than fade, with the passing years, and though the Viagra commercial that used I'm Ready as its backing track made some blues purists wince, it nevertheless made its point. In 2002 author Robert Gordon published his definitive full-length biography of Muddy, called I Can't Be Satisfied (Little, Brown); the following year Gordon produced a documentary with the same title which aired on public television. Muddy's songs continue to be covered, not only by today's up and coming young blues bands, but by rock and pop artists as well, keeping his name and music before successive generations of fans.
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NEW Combo BLUWAVS CD and FLAC FILE
Every few years, an acoustic guitar player decides he wants to be the next Robert Johnson and endears himself to the blues world--Rory Block, John Hammond Jr., and Taj Mahal have crossed this road in the past. Veteran backup guitarist Kevin "Keb' Mo'" Moore has the freshest approach to pulling it off, turning Johnson's devil-obsessed classics "Come on in My Kitchen" and "Kindhearted Woman Blues" into friendly folk music on this 1994 debut. Unlike many of the great bluesmen, the personable Moore doesn't aspire to be evil or even rebellious; he writes terrific songs (most notably the opening "Every Morning" and "Dirty Low Down and Bad") and performs them with talent and charisma. --Steve Knopper
|Indianola Mississippi Seeds
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Joe Walsh, Carole King and Leon Russell join B.B. on this 1970 pop style blues album. Features Nobody Loves Me But My Mother; Ask Me No Questions; Until I'm Dead and Cold; Chains and Things; Hummingbird , and more!
In the late '60s and early '70s, B.B. King made a series of albums in Los Angeles using rock-world ringers and session players as ABC sought to replicate the chart success of "The Thrill Is Gone." These recordings are mostly dispassionate filler, but this album is an exception. Produced by Bill Szymczyk and featuring guitarist Joe Walsh, pianists Carole King and Leon Russell, and drummer Russ Kunkel among its players, B.B. delivers minor classics in the stirring "King's Special" and the hard blues "Until I'm Dead and Cold." He also takes his only recorded turn at piano, vamping briefly through a flippant croon he calls "Nobody Loves Me But My Mother (And She Could Be Jiving Too)." --Ted Drozdowski
|Martin Scorsese presents The Blues - A Musical Journey
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CONTAINS: FEEL LIKE GOING HOME: THE SOULD OF A MAN: THE ROAD TO MEMPHIS: WARNING BY THE DEVIL'S FIRE: GODFATHER'S AND SONS: RED WHITE & BLUES: AND PLANO BLUES.
It may have been underrated when first broadcast on PBS on consecutive nights in the fall of '03, but executive producer Martin Scorsese's homage to the blues is a truly significant, if imperfect, achievement. "Musical journey" is an apt description, as Scorsese and the six other directors responsible for these seven approximately 90-minute films follow the blues--the foundation of jazz, soul, R&B, and rock & roll--from its African roots to its Mississippi Delta origins, up the river to Memphis and Chicago, then to New York, the United Kingdom, and beyond. Some of the films (like Wim Wenders's The Soul of a Man and Charles Burnett's Warming by the Devil's Fire) use extensive fictional film sequences, generally to good effect. There's also plenty of documentary footage, interviews, and contemporary studio performances recorded especially for these films.
The last are among the best aspects of the DVDs, as the bonus material features the set's only complete tunes. Lou Reed's "See That My Grave Is Kept Clean" and the ElektriK Mud Kats' (with Chuck D. of Public Enemy) hip-hop-cum-traditional updating of Muddy Waters's "Mannish Boy" are among the best of them; on the other hand, a rendition of "Cry Me a River" by Lulu (?!) is a curious choice, even with Jeff Beck on hand. The absence of lengthier vintage clips, meanwhile, is the principal drawback. For that reason alone, Clint Eastwood's Piano Blues is the best of the lot; a musician himself, Eastwood simply lets the players play, which means we get extensive file footage of the likes of Art Tatum, Oscar Peterson, and Nat "King" Cole, as well as new performances by Ray Charles, Dr. John, and others. Overall, this is a set to savor, a worthwhile investment guaranteed to grow on you over the course of repeated viewings. --Sam Graham
|The Original Delta Blues (Mojo Working': Blues For The Next Generation)
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Brand: Sbme Special Mkts.
This album-a 1998 Rolling Stone Top 25 all-time blues title-features the guitar and vocal style that helped define Delta blues, generations before it moved north to Chicago. Includes Death Letter; Preachin' Blues; Levee Camp Moan; Downhearted Blues , and more of the most influential blues recordings ever made.
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