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Muddy returned to his acoustic roots on this 1964 LP, expanded with five bonus tracks from Muddy's next two Chess sessions!
Muddy Waters started out playing acoustic blues in the Delta, and it shows on this return to his roots, designed to appeal to the mid-1960s surge of interest in folk music. The back of the CD includes a photo of Waters with bassist and songwriter Willie Dixon, as well as a very young Buddy Guy, gathered around a single microphone. This particular CD reissue includes five bonus tracks, among which are "The Same Thing" and "Short Dress Woman," which take advantage of the longer CD running time. All of the other reasons to hear this one remain--Waters's strong, confident voice, the relaxed smoothness of the material, and the surprisingly clean recording, made even cleaner by the digital remastering. --Genevieve Williams
|Father Of The Delta Blues: The Complete 1965 Sessions
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With this seminal figure's early work either out-of-print or only available overseas, these 1965 sessions take on an almost mystical importance. House had quit music for years when he was rediscovered in the early '60s and, as you will hear, time had not harmed his voice or his slide technique. These 21 tracks-12 unreleased-include his great Preachin' Blues essential stuff.
According to legend, it was Son House's blistering bottleneck guitar that prompted Robert Johnson to pick up a six string. House's potent early recordings from 1930 and 1941 to 1942 showcased his raw, emotionally powerful style, but never received the acclaim of Johnson's. When he was rediscovered during the '60s blues revivalist movement, House's voice still possessed wall-shaking intensity and his idiosyncratic slide guitar still had bite. These 21 recordings (including five alternate takes) offer superior fidelity and significant room for House to stretch out. The first disc features his classic "Preachin' Blues," a stirring a capella "Grinning in Your Face," and a nine-minute "Levee Camp Moan," with Canned Heat's Al Wilson on harp. Disc two (outtakes and alternates) includes an odd homage to President Kennedy and a riveting version of the spiritual "Motherless Children." --Marc Greilsamer
|Greatest Of The Delta Blues Singers (180 Gram Vinyl)
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Brand: James, Skip
After Skip James was rediscoverd in the early 60s he went on to record an amazing body of material. These 1964 recordings recorded by Dick Spottswood are some of the best. They initially came out on Melodian which was later sold to Biograph who reissued them. Some of these recordings have been featured on other Skip James records, but Greatest Of The Delta Blues Singers is one of the rarest of Skip James releases, featuring a beautiful cover drawing of the blues legend. This reissue includes two bonus tracks that were rarely recorded by James, Motherless and Fatherless and Skip's Worried Blues. 180 gram vinyl.
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|Plays & Sings The Blues (Reissue)
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Plays & Sings The Blues (Reissue) by John Lee Hooker
When sold by Amazon.com, this product will be manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.
Like other recordings from Hooker's early studio sessions, these tunes bristle with driving energy and ripple with the power of his shouted declarations. This is back porch music from the heart of the Delta, jolted to larger-than-life proportions by the electricity powering Hooker's guitar and by his own strong desire to quit sweeping factories and begin cleaning up on the charts. Although he often reworked themes by earlier bluesmen during this period, it was rare that Hooker outright covered another artist's material. So his riveting interpretations of Muddy Waters's "Please Don't Go" and Big Maceo Merriweather's "Worried Life Blues" peak this collection of solo turns that were recorded for Chess in 1951 and '52. --Ted Drozdowski
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Brand: Blue Groove
Hans Theessink and Terry Evans may be from separate sides of the Atlantic Ocean but they work together beautifully and make sense as a natural combination. These two vastly experienced and respected musicians are committed performers who are a perfect foil for each other. Theessink's lazy baritone and Evans' extraordinarily soulful gospel tones are tailor made to blend together with spine-tingling results. Timeless blues, gospel and soul related music comes alive in the capable hands of these two masters. With just two guitars and two remarkable voices they bring forth honest and straightforward power in a stripped down musical situation - an unhurried vibe that's contagious and flows with the easy rhythm of buddies with mutual respect having a blast singing and playing together. Guitarist Ry Cooder is featured on 3 tracks and joining Terry on backing vocals on 5 tracks are Arnold McCuller and Willie Greene Jr.
|Before The Blues: The Early American Black Music Scene, Vol. 2
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NEW Combo BLUWAVS CD and FLAC FILE
|Sonny & Brownie
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Brand: Terry, Sonny & Brownie McGhee
[Note: This product is an authorized CD-R and is manufactured on demand]
|The Definitive Collection
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One of the greatest blues musicians of all time, Muddy Waters is still pulling new fans into the blues today, more than two decades after his death. His visibility seems to increase, rather than fade, with the passing years, and though the Viagra commercial that used I'm Ready as its backing track made some blues purists wince, it nevertheless made its point. In 2002 author Robert Gordon published his definitive full-length biography of Muddy, called I Can't Be Satisfied (Little, Brown); the following year Gordon produced a documentary with the same title which aired on public television. Muddy's songs continue to be covered, not only by today's up and coming young blues bands, but by rock and pop artists as well, keeping his name and music before successive generations of fans.
|That's My Story
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Brand: Hooker, John Lee
NEW Combo BLUWAVS CD and FLAC FILE
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NEW Combo BLUWAVS CD and FLAC FILE
This well-chosen 11-track collection succeeds admirably in its attempt to represent the Mississippi, the river of blues. This deep, wide, multihued collection of blues combines an expansive chronological and stylistic sweep with a commendable attention to entertainment value through its emphasis on the unexpected. Bobby "Blue" Bland's awe-inspiring vocal on "St. James Infirmary," a masterpiece of American music, is an expected highlight, but selections like Ike and Tina Turner's 1969 take on the B.B. King standard "3 O'clock in the Morning" and the electrifying Luther Allison's "Part Time Love," a Motown gem from early in his career, provide satisfying surprises. Chris Thomas King's subtle but significant modernization of Robert Johnson's "Come On in My Kitchen," a performance both rootsy and progressive, is a perfect fit for the collection. Much of the music has a folksy feel, especially the work of Mississippi John Hurt, an acoustic purist until the end, who rolls through a back-to-the-basics "Make Me a Pallet on Your Floor," and that of voluntary European exile Memphis Slim, whose piano-powered "Stewball" features the legendary Willie Dixon on bass. Other legends, including John Lee Hooker and Junior Wells, are well represented, but it's Memphis Minnie, a seminal guitar star of the 1930s, who steals the show with her empowered "I Got to Make a Change Blues." --Michael Point
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