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The Dead South are fun, modern hillbillies from Regina, Saskatchewan (that's in Canada btw), who can make you forget your troubles and even what century you're in. But the band isn't just about style and good looks. Their full-length album, Good Company (released on Curve/eOne), is full of rousing bluegrass kickers that challenge you not to smile or do a little jig, or, heck, even head-bang. They've played them all over Europe and the U.K. multiple times, as well as Canada and into the U.S., enthralling fans who just can't get enough. Co-produced by Orion Paradis (Rah Rah, Library Voices), Good Company includes songs about such timeless subjects as lovin', cheatin', killin' and drinkin'
|16 Biggest Hits
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Here are 16 essential moments from the all-too-brief career of this Ralph Stanley alum, who scored his biggest hits the year he passed away, 1989. Here are his country #1s When You Say Nothing at All; I'm No Stranger to the Rain; Don't Close Your Eyes; I Wonder Do You Think of Me; It Ain't Nothin' , and more!
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2011 GRAMMY NOMINEE: BEST COUNTRY PERFORMANCE BY A DUO OR GROUP WITH VOCALS & BEST BLUEGRASS ALBUM
The SteelDrivers, the distinctive combo who uniquely meld back-country high lonesome and Delta soul, return with their much anticipated follow up to their acclaimed Rounder Records' self-titled 2008 debut. Returning to the studio with producer Luke Wooten (Alison Krauss, Jim Lauderdale and Dierks Bentley), the follow up continues to stretch the boundaries of bluegrass.
|Alison Krauss & Union Station - Live
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Recorded on their Spring 2002 tour, this is Alison Krauss + Union Station's first live recording. It features galvanizing performances of songs from Now That I've Found You, New Favorite, and O Brother, Where Art Thou?
Media Format: Compact Disk
Release Date: 5-NOV-2002
This two-CD, 25-song set, recorded in Louisville on two nights in the spring of 2002, finds bluegrass's most celebrated crossover band at the top of its game. Krauss's warm, feathery vocals, capable of conveying complex emotions in a single note, appear more full-bodied than in studio recordings, yet lose none of their sensual appeal or dramatic tension. She's perfect, for example, as the melancholy temptress on "Let Me Touch You for Awhile," coming across as both savior and seductress, while Jerry Douglas's Dobro echoes the searing strains of passion and pain. With banjoist-guitarist Ron Block, bassist Barry Bales, and guest drummer Larry Atamanuik anchoring the rhythm, the ensemble deftly blends bluegrass with jazz, rock, and folk, combining lightning speed (though rushing through "Forget About It") with sophisticated chops, tangible emotion, and thrilling vocal blends. The crowd, more spellbound with every note, doesn't even breathe on "Ghost in This House" and nearly tears the place down on Dan Tyminski's voice-of-George Clooney showcase, "I Am a Man of Constant Sorrow." But who could blame them? It's only one highlight on an album of uncommon artistry, a moving testament to how good live music can be in the hands of world-class players. --Alanna Nash
- This CD has been professionally cleaned and resurfaced. Item is in 100% working order and guaranteed. CD case not included.
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With one foot in the field and the other in the factory, The SteelDrivers are a beacon beaming their own version of rhythm'n'bluegrass far across the musical landscape. Highly regarded behind the scenes as songsmiths and session men - with innumerable hits, cuts, and licks to their credit - The SteelDrivers are stepping out at long last. In their ten capable hands, back-country high-lonesome collides with Delta soul, resulting in the freshest sound to emerge from Music City in recent memory. Via eleven original songs, their debut album offers revealing new takes on classic themes of redemption and loss, hope and home delivered with urgency and heart. The SteelDrivers are Richard Bailey, Mike Fleming, Mike Henderson, Tammy Rogers, and Chris Stapleton. "Really soulful bluegrass, with great songs. An incredible combination." -Vince Gill
|A Hundred Miles or More: A Collection
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A Hundred Miles or More: A Collection features songs never before released on an Alison Krauss album with appearances by Sting, Brad Paisley, James Taylor, and includes the John Waite duet Missing You.
A Hundred Miles or More carries the subtitle A Collection, and what a curious collection it is--cuts from soundtracks, side projects, and tribute albums, plus guest duets on other artists' albums and five previously unreleased tracks. In other words, this is a collection of Alison Krauss performances that have never appeared on an Alison Krauss album, though it holds together better than such a grab-bag approach might suggest. Highlights such as her duet with Brad Paisley on "Whiskey Lullaby" and her a cappella rendition of "Down to the River to Pray" from O Brother, Where Art Thou? will be familiar to most Krauss fans, though it's doubtful that many share her infatuation with retro rocker John Waite (with whom she revives his "Missing You" and duets on a cover of Don Williams's "Lay Down Beside Me."). Other projects represented range from Disney to the Chieftains to the Louvin Brothers (she duets with James Taylor on their "How's the World Treating You." There's minimal contribution from her Union Station band--making this a solo release by default--and little information to indicate whether the previously unreleased tracks were outtakes from earlier releases or recently recorded for this one. --Don McLeese More Alison Krauss
Lonely Runs Both Ways
Now That I've Found You: A Collection
- audio CD
- produced in 2007
- made in USA
|Very Best Of Travis Tritt
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A comprehensive hits collection from chart-topping country superstar Travis Tritt.
|Ultimate Country Super Hits
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Brand: Sony Music
NEW Combo BLUWAVS CD and FLAC FILE
|"The Long-Awaited Album"
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Rather than a departure, Martin's musical career is an extension of the storytelling impulse that drove his work as a comedian, an actor, a screenwriter, a playwright, an essayist, and a novelist.
'The Long-Awaited Album,' Steve Martin's brand new project with the North Carolina Grammy-winning group the Steep Canyon Rangers, is full of stories that mix humor and melancholy, whimsy and realism, rich characters and evocative details. And lots of banjos. That instrument-so dexterously, even acrobatically picked and strummed-proves just as crucial to relating these tales as the lyrics themselves, each chord and riff revealing depths to Martin's narrators and to his musical talent.
|Out in the Open
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The sessions that produced Out In The Open were brisk and instinctive, expansive yet intimate, visceral and immediate - and they would have had to be, for herein are songs that tell the big story by drawing the small ones. There is, to my ear, as much of Raymond Carver's literate and humane influence on display as the Osborne Brothers, as much Welty in the pointed details - both sublime and confounding - as Clark and Van Zandt. Compassion and determination act as connective tissue when, throughout this song cycle, the bones, muscle, and blood of daily life dance with loose-limbed motion toward the inevitable, guided by an ethos best articulated by Sam Beckett who directed that when we falter, we try again and ''fail better.''
While in the studio, the Rangers stood in a circle - facing each other and the music with a well-worn brotherhood that was as well open to all they could not imagine transpiring between them. The songs were written as a map, and their shared history a compass blade, but the road itself - the journey - was a moving target and, as with all relevant music, remains one. And the Steep Canyon Rangers are moving along with it. - Joe Henry
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