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Paul McCartney invites you on a musical journey to Egypt Station, estimated time of arrival September 7, 2018 by way of Capitol Records. Sharing a title with one of Paul’s own paintings, Egypt Station is the first full album of all-new McCartney music since 2013’s international chart-topping NEW. Preceded by two of its tracks just released as double A-sides--plaintive ballad “I Don’t Know” and raucous stomper “Come On To Me”—Egypt Station was recorded between Los Angeles, London and Sussex, and produced (with the exception of one Ryan Tedder track) by Greg Kurstin (Adele, Beck, Foo Fighters). Of the forthcoming album’s enigmatic title, Paul says, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make.., Egypt Station starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.” True to the inspiration behind its title, Egypt Station’s 14 songs combine to convey a unique travelogue vibe. Between the opening and closing instrumentals “Station I” and “Station II,” each song finds Paul capturing a place or moment before transporting the listener seamlessly to the next destination. Stops along the way include an acoustic meditation on present day contentedness (“Happy With You”), a timeless anthem that would fit on virtually any album of any McCartney era (“People Want Peace”), and an epic multi-movement closer clocking in at seven minutes with a song suite structure harkening back to the days of Paul’s previous combos (“Despite Repeated Warnings”). The result is a kaleidoscopic journey through myriad musical locales and eras, yet firmly rooted in the here and now--with Paul’s singular unmistakable melodic and lyrical sensibility serving as a guide.
|Elvis: Ultimate Gospel
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Brand: SONY BMG MUSIC
Long before he was the King of rock, Elvis loved gospel music. He sang it as a child and throughout his career; all three of his Grammys(r) were for gospel recordings. With two songs not included in previous editions, this CD expands on the definitive Elvis gospel album!
- PRESLEY ELVIS ELVIS ULTIMATE GOSPEL
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The Dead South are fun, modern hillbillies from Regina, Saskatchewan (that's in Canada btw), who can make you forget your troubles and even what century you're in. But the band isn't just about style and good looks. Their full-length album, Good Company (released on Curve/eOne), is full of rousing bluegrass kickers that challenge you not to smile or do a little jig, or, heck, even head-bang. They've played them all over Europe and the U.K. multiple times, as well as Canada and into the U.S., enthralling fans who just can't get enough. Co-produced by Orion Paradis (Rah Rah, Library Voices), Good Company includes songs about such timeless subjects as lovin', cheatin', killin' and drinkin'
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On August 24th Interpol will release their sixth studio album Marauder on Matador Records worldwide, available on CD and vinyl. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless others. In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself, and the answer is in the striding gallop of opener “If You Really Love Nothing,” the embellished skip ‘n’ bounce of “Stay in Touch” and the R&B swagger of closer “It Probably Matters.” Interpol have always been world-beaters at creating a feeling, but Marauder is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist, but he’s stepping into an even brighter light as a songwriter. During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters, and observations, often phrased in abstract. But more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.” “A swift and searing song centered around a blown-out drum stomp and a prickly lead guitar riff. Singer Paul Banks’ vocals drift above the mix with a slight sneer soaked in echo.” - Rolling Stone “[The Rover] is Interpol as shit, which means ricocheting guitars and an unstoppable rhythm section.” - Noisey “Interpol are back with ignited energy.” - Stereogum “A driving and relentless bit of post-punk revivalism” - Cons. of Sound
|Very Best Of Travis Tritt
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A comprehensive hits collection from chart-topping country superstar Travis Tritt.
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2011 GRAMMY NOMINEE: BEST COUNTRY PERFORMANCE BY A DUO OR GROUP WITH VOCALS & BEST BLUEGRASS ALBUM
The SteelDrivers, the distinctive combo who uniquely meld back-country high lonesome and Delta soul, return with their much anticipated follow up to their acclaimed Rounder Records' self-titled 2008 debut. Returning to the studio with producer Luke Wooten (Alison Krauss, Jim Lauderdale and Dierks Bentley), the follow up continues to stretch the boundaries of bluegrass.
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With one foot in the field and the other in the factory, The SteelDrivers are a beacon beaming their own version of rhythm'n'bluegrass far across the musical landscape. Highly regarded behind the scenes as songsmiths and session men - with innumerable hits, cuts, and licks to their credit - The SteelDrivers are stepping out at long last. In their ten capable hands, back-country high-lonesome collides with Delta soul, resulting in the freshest sound to emerge from Music City in recent memory. Via eleven original songs, their debut album offers revealing new takes on classic themes of redemption and loss, hope and home delivered with urgency and heart. The SteelDrivers are Richard Bailey, Mike Fleming, Mike Henderson, Tammy Rogers, and Chris Stapleton. "Really soulful bluegrass, with great songs. An incredible combination." -Vince Gill
|Blues Breakers With Eric Clapton (Remastered)
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A key catalyst of the late-'60s British blues boom, this 1966 milestone brought Mayall attention and Clapton to the brink of stardom. This might be the best British blues album ever, with All Your Love; Parchman Farm; Hideaway; Rambling on My Mind (featuring Clapton's first recorded vocals!) and more. Bonus tracks: both sides of their rare Lonely Years/Bernard Jenkins single, recorded prior to the LP!
|Live at The CMA Theater in The Country Music Hall of Fame
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This CD features two bonus tracks, 'Little Maggie' and 'I Don't Care Anymore.' The GRAMMY award-winning sextet, The Earls of Leicester, have returned with a triumphant live album. Taped over two nights at Nashville's historic Country Music Hall of Fame and Museum, the robust 23-song set, features 14 new recordings, and fan favorites from their two previous studio albums. The all-star outfit of Jerry Douglas, Shawn Camp, Barry Bales, Johnny Warren, Charlie Cushman, and Jeff White bring the Foggy Mountain Boys to life, bearing a boundless vitality that makes songs from over a half-century ago feel irresistibly fresh. Live at The CMA Theater in The Country Music Hall of Fame is available in both CD and double-disc vinyl packages.
|The Dead South - Illusion & Doubt
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CURVE RECORDS The Dead South ?- Illusion & Doubt - Formed in 2012, The Dead South have recorded and released three albums. Their most recent album "Illusion & Doubt" charted at #2 on the Bluegrass US Billboards and won Best Saskatchewan Album of 2016. Their debut album "Good Company", first released in 2014, Is still on the US Alternative Albums and Canadian All Categories Top Album charts.
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