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Lowest new price: $4.92
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Includes Urge for Going; Chelsea Morning; Big Yellow Taxi; Woodstock; The Circle Game; Free Man in Paris; Help Me; Both Sides Now; You Turn Me On, I'm a Radio; Carey; California; Raised on Robbery; River; Chinese Cafe/Unchained Melody; Come in from the Cold one incredible tune after another!
She's only had four bona fide Top-40 American hits, and one was a Miles of Aisles live version of "Big Yellow Taxi" that's not included here. But after almost 30 years, she's finally delivered a 15-song compilation of her signature songs that will be a CD point-of-departure for casual fans and newcomers well into the new millennium. The companion Misses volume is an intriguing curio that might rather more generously have been marketed as a bonus disc. --Jeff Bateman
|Graceland 25th Anniversary Edition Vinyl
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In 1986, Graceland sold 14 million copies worldwide and garnered both the Album and Song of the Year Grammy in 1987. Simon and the members of Ladysmith Black Mambazo performed on Saturday Night Live and appeared on the cover of Rolling Stone. It generated three hit singles and it kept Paul Simon and the Graceland tour on the road for five years. Its music was heard across the globe. Today, its music and its reputation still reach generations of music enthusiasts yet so many are unaware of how pivotal that one album was during the 1980s, how it helped birth the idea of World Music and revived the career of one of America's most important songwriters. How it influenced the political progress of South Africa a country divided by institutionalized racism, causing and then transcending years of controversy. How in fact the album came to be in the first place.
This 180 LP comes with a digital download card of the original Graceland album, three bonus tracks, and a Graceland poster.
- Ships in Certified Frustration-Free Packaging
|The Band Greatest Hits
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Ex-Band members Levon Helm, Robbie Robertson and Garth Hudson supervised this release, which does an impressive job of boiling down some of the greatest rock albums ever into one 18-track collection. Four tracks each from Music from Big Pink (The Weight; Tears of Rage; Chest Fever; I Shall Be Released ) and The Band (Up on Cripple Creek; The Night They Drove Old Dixie Down; Rag Mama Rag; King Harvest ) join 10 more from their other classic LPs. Essential.
It seems odd that the Band emerged in 1968, defying the counterculture's extravagant rejections of U.S. culture with literary, often Southern-tinged musical and lyrical vehicles. Hearing this 18-song anthology, with its heavy weighting toward the Canadian quintet's first three albums--Music from Big Pink (four tunes), The Band (five tunes), and Stage Fright (three tunes)--what still stands out is the Band's command of yearning vocal harmonies, their sense of plainly laid melodies that reveal acoustic depth, and a nostalgia for an imagined American culture. With all their quirkiness and the advance of Robbie Robertson as their centerpiece, the Band lost their celebrated place in the rock pantheon within a decade. This set, which opens so magnificently with "The Weight," "Tears of Rage" (cowritten with Dylan), and the big organ-vamping "Chest Fever," declines rather steeply on the final tracks, "Acadian Driftwood" and "The Saga of Pepote Rouge." Up till then, however, this set is fantastic. --Andrew Bartlett
|Ladies of the Canyon
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This lady gives a sneak peak here to what we see in later albums...some sizable instrumental sections, jazz influences and piano accompaniments. Includes The Arrangement; Rainy Night House; For Free; Woodstock , and more.
Joni Mitchell's third album offers a bridge between the artful but sometimes dour meditations of her earlier work and the more mature, confessional revelations of the classics that would follow. Voice and guitar still hew to the pretty filigree of a folk poet, but there's the giggling rush of rock & roll freedom in "Big Yellow Taxi," and the formal metaphor of her older songs ("The Circle Game," already oft-covered by the time of this recording) yields to the more impressionistic images of the new ones ("Woodstock"). The dark lyricism of her earliest ballads is intact (on "For Free" and "Rainy Night House"), yet there's a prevailing idealism here that sounds poignant alongside the warier, more mature songs to come on Blue and Court And Spark. --Sam Sutherland
|Bob Dylan's Greatest Hits
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Brand: Bob Dylan
Indeed includes Blowin' in the Wind; Rainy Day Women #12 & 35; The Times They Are A-Changin'; Like a Rolling Stone; It Ain't Me Babe; Mr. Tambourine Man; Subterranean Homesick Blues; I Want You; Positively 4th Street , and Just Like a Woman .
Lowest new price: $4.75
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A quadruple platinum #1 smash and the best-selling album of 1972, Harvest was Neil Young's fourth solo effort. With the gold #1 'Heart Of Gold,' Top 40 'Old Man,' powerful 'The Needle And The Damage Done,' controversial 'A Man Needs A Maid' and 'Southern Man' companion 'Alabama', Harvest won inclusion in Rolling Stone's '100 Greatest Albums Of All Time'.
|The Byrds - Greatest Hits
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Though they'd been together for just three years, the Byrds already had enough hits and classics to put out this collection in 1967-a #6 album in its own right! The 11 original songs- Turn, Turn, Turn; Mr. Tambourine Man; Eight Miles High , and the rest-are joined by three bonus tracks: It Won't Be Wrong; Set You Free This Time , and Have You Seen Her Face . A landmark in American music, expanded and upgraded!
The 12-string electric guitar may never recover. As long as there are baby boomers roaming the earth, its airy jangle will signify psychedelic innocence and optimism refracted through the peculiar light of mid-'60s Los Angeles. With Roger McGuinn leading, the Byrds kicked off American rock history with a merger of Bob Dylan's words and the Beatles' melodic energy. The results are here: "Mr. Tambourine Man," "The Bells of Rhymney," and "Eight Miles High" still jump off the airwaves. The midpoint between Dylan and the Beatles is a one-of-a-kind place, where optimism and innocence still sound smart. --Steve Tignor
Lowest new price: $19.56
Lowest used price: $10.86
Brand: Universal Music Group
The Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut
Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper's Lonely Heart Club Band's cut-outs, and special inner bags for some of the titles
The titles include The Beatles' 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group's core catalogue, and Past Masters, Volumes One & Two, first released individually in 1988, featuring non-album A-sides and B-sides, EP tracks and rarities. With this release, The Beatles' first four albums make their North American stereo vinyl debuts
Rubber Soul features George Martin's 1986 stereo remix
There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple
The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl
A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers
The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs
Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this
The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli
An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.
- Disc 1
- Side 1
- 1. Drive My Car
- 2. Norwegian Wood (This Bird Has Flown)
- 3. You Won't See Me
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List price: $22.99
Brand: Alfred Music
Atlantic Records and Warner Strategic Marketing are proud to announce a landmark event in music history - the release of the mother lode of Led Zeppelin live recordings: Led Zeppelin DVD, a two-disc set. The DVD includes the few performances which were ever filmed during the band's lifetime: London's Royal Albert Hall, five-night run at London's Earl Court, shows at England's Knebworth Festival, and songs from New York's Madison Square Garden.
The DVD Features include: Excerpts from Danish and French television performances, Australian television interviews with Robert Plant, John Bonham and John Paul Jones, fan-shot bootleg performance of "Heartbreaker", Behind the scenes footage of Knebworth, and an NBC interview with the band from 1970.
We're Gonna Groove / I Can't Quit You Babe / Dazed And Confused / White Summer / What Is And What Should Never Be / The Ocean / How Many More Times / Moby Dick / Whole Lotta Love / Communication Breakdown / C'mon Everybody / Something Else / Bring It On Home
Immigrant Song / Black Dog / Misty Mountain Hop / Since I've Been Loving You / Going To California / That's The Way / Bron-Y-Aur Stomp / In My Time Of Dying / Trampled Underfoot / Stairway To Heaven / Rock And Roll / Nobody's Fault But Mine / Sick Again / Achilles Last Stand / In The Evening / Kashmir / Whole Lotta Love
Exclamations of religious awe are in order. Legendary and long sought-after, this live Led Zeppelin collection is nothing less than the rock music equivalent of the Holy Grail. Quite simply, this is what all the fuss was about.
Given that they were the biggest band in the world, Zeppelin were notoriously camera-shy in their heyday. Their official filmic legacy until now has been just the fascinating but flawed The Song Remains the Same. While this new set presents some previously unseen footage from the same 1973 Madison Square Garden gigs, its real wonders lie in the earlier (1970) Royal Albert Hall footage and the later Earls Court (1975) and Knebworth (1979) concerts. Everything here looks and sounds new-minted, thanks to painstaking restoration and remastering of both audio and visual sources, a Herculean labor of love on the part of co-producer Dick Carruthers working hand-in-glove with Jimmy Page. Trawling through thousands of yards of previously unseen film and unheard tape recordings--some with missing visuals, some with missing audio--Page and Carruthers have chosen only the best possible footage available. They were also at pains to make the segments segue seamlessly so that the viewer is treated to what feels like a continuous concert--just sample the transition from a grainy Super 8 "Immigrant Song" (Sydney, 1972) to "Black Dog" at MSG.
Highlights? It's not hyperbole to say that every powerhouse minute of this collection (some 230 minutes of concert footage plus another hour and a half of extra DVD material) is a rare musical and visual treat. But hearing Page's violin bow work on "Dazed and Confused" in DTS or Dolby 5.1 is an experience not soon forgotten. --Mark Walker
|Very Best Of Judy Collins (GH), The
Lowest new price: $5.46
Lowest used price: $3.92
The definitive single-CD anthology of her classic Elektra sides! Her hit versions of Both Sides Now; Someday Soon; Chelsea Morning (single version); Turn! Turn! Turn!/To Everything There Is a Season; Amazing Grace; Cook with Honey , and Send in the Clowns join nine others, as selected by Rhino and Judy herself!
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