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Musical Instruments

Signal Processors


BEHRINGER ULTRA-DI DI400P

BEHRINGER ULTRA-DI DI400P Lowest new price: $15.00
Lowest used price: $17.51
List price: $19.99
Brand: Behringer
Model: DI400P

Compact Direct Box with Parallel 1/4" TRS I/O, XLR Output, and Ground Lift Switch

Features:

  • Professional and multi-purpose direct injection box for stage and studio applications
  • Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers
  • Ultra-flat frequency response due to renowned BEHRINGER OT-2 transformer
  • Allows direct connection to speaker outputs with up to 3,000 Watts
  • Ground Lift switch eliminates typical ground loop problems

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Akai Professional MPD218 | MIDI Drum Pad Controller with Software Download Package (16 pads / 6 knobs / 6 buttons)

Akai Professional MPD218 | MIDI Drum Pad Controller with Software Download Package (16 pads / 6 knobs / 6 buttons) Lowest new price: $99.00
Lowest used price: $92.07
List price: $99.00
Brand: Akai Professional
Model: MPD218

The MPD2 Series is a product of more than six years of detailed customer research and user feedback. We asked what you wanted and listened closely to what you told us to create the most capable and user-friendly line of pad controllers Akai Professional has developed to date.

The MPD218's 16 new, ultra-sensitive Thick Fat MPC pads, create a responsive user experience. It also has an expanded control set of six knobs in three banks versus one control on the previous MPD18 model. This will enable you to maximize your sound and give you increased control over effects.

MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers. The USB connection powers the MPD218, so the included USB cable is all you need.

Our MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers we’ve ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio.

Frequently Asked Questions

What software is included with my purchase, and where can I download?
The MPD218 includes Ableton Live Lite, MPC Essentials, Big, Bang Cinematic Percussion, Big Bang Universal Drums, MPD218 Editor. Once you have registered the product in your Akai Pro User Account you will have download links for all titles except Ableton. You will be able to download Ableton via a download card that is included in the box.

Are the pads different?
The pads are called Thick Fat MPC pads, which are completely redesigned.

Does the product require an additional power supply?
The MPD218 is powered by the included USB cable, and does not require an additional power supply.

Does the product require drivers, and where can I download them from?
The MPD218 is class compliant, and does not require any drivers.

Is the product compatible with the latest Windows, and Mac operating systems?
Since the MPD218 is class compliant it is immediately compatible with all current Windows, and Mac operating systems.

Will this work with my IOS device?
This is iOS compatible using the Apple Camera Connection Kit (sold separately).

Are the pads velocity sensitive?
The MPD2 series definitely has velocity sensitive pads—and they’re awesome.

Technical Specs

  • Pads:
    • (16) velocity- and pressure-sensitive pads, red-backlit
    • (3) banks accessible via Pad Bank button
  • Knobs
    • (6) 360° assignable potentiometers
    • (3) banks accessible via Control Bank button
  • Buttons: 6 buttons
  • Connections
    • (1) USB port
    • (1) Kensington lock
  • Power: via USB connection
  • Dimensions (width x depth x height): 9.4” x 7.9” x 1.6”
  • Weight: 1.65 lbs.

Box Contents

  • MPD218
  • USB Cable
  • Software Download Cards
  • User Guide
  • Safety & Warranty Manual

Features:

  • Simple, small, feature-packed pad controller for finger drumming and music production
  • 16 Thick Fat backlit MPC pads (48 assignable pads accessible via 3 banks)
  • 6 control knobs (18 assignable knobs accessible via 3 banks)
  • USB-powered through computer, no AC adapter required
  • Includes free software titles Ableton Live Lite, Akai Pro MPC Essentials, SONiVOX Big Bang Cinematic Percussion and Big Bang Universal Drums

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Rapco Horizon LTIBLOX Laptop Interface Device

Rapco Horizon LTIBLOX Laptop Interface Device Lowest new price: $40.76
List price: $40.76
Brand: Rapco Horizon
Model: LTIBLOX

LTIBLOX is a consumer to pro interface. It converts input from consumer grade equipment (laptop computers, MP3 players, CD players) to a mic level balanced output. Gives operator volume control of the outgoing stereo signal. 3.5mm male input and XLR male output.

Features:

  • Self-contained unit converts input from consumer grade equipment to a mic level balanced output
  • Hand soldered connectors
  • Black powdercoated aluminum chassis
  • Operator volume control of outgoing stereo signal
  • Perfect size for your toolbox or even a shirt pocket

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Radial Pro DI Passive Direct Box

Radial Pro DI Passive Direct Box Lowest new price: $99.99
Lowest used price: $79.99
List price: $99.99
Brand: Radial Engineering
Model: R8001100

Passive Mono Direct Box with Custom Transformer and Rugged I-beam Construction

Features:

  • Passive direct box
  • Proprietary transformer for impedance conversion and isolation
  • Linear from 20Hz-18kHz
  • Low distortion and zero phase distortion
  • XLR input

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Pyle-Pro Pyle (PDC21)

Pyle-Pro Pyle (PDC21) Lowest new price: $9.25
List price: $10.00
Brand: Pyle
Model: PDC21

PylePro Model : PDC21

1/4'' Instrument To Balanced & Unbalance

1/4'' Instrument To Balanced & Unbalanced (1/4''/XLR) Direct Box

  • Construction: All Steel Chassis
  • Ground Lift: Switch-Able Ground Lift
  • Balanced Output: 600 Balanced XLR Jack
  • Instrument Input: 50K Unbalanced TS Jack
  • Parallel (Link) Out: 50K Unbalanced TS Jack
  • Input Attenuation: Switch-Able (0db, -20db,-40db)
  • Dimension: 4.72'' X 3.01'' X 1.77''
  • The DC-21 Is One of The Most Useful and Versatile Tools Available Indispensable in Enabling Easy Interfacing and Connection Between Various Audio Gear in Numerous Applications.

  • Pyle PDC21 is a necessity if you are looking for the higest quality of sound, with low distortion, noise, and eliminate ground loops. A DI unit, DI box, Direct Box, Direct Input, Direct Injection or simply DI is an electronic device that connects a high impedance, line level, unbalanced output signal to a low impedance mic level balanced input, usually via XLR connector. DIs are frequently used to connect an electric guitar or electric bass to a mixing console's microphone input. The DI performs level matching, balancing, and either active buffering or passive impedance bridging to minimise noise, distortion, and ground loops. DIs do not perform impedance matching. Pyle has been in business for over 35 years, and their manufacturing experience and expertise is easy to see - and hear.

    Features:

    • ¼ " DEVICE CONNECTOR: Provides a variety of DI solutions with its ¼ inch device connector and detachable AC power cord for live sound recording applications. It allows you to easily connect keyboards, guitars & outboard signal processors
    • PROVIDES CLEAN AUDIO: Useful for connecting unbalanced signals from sources submixers, effects processors & keyboards to a main PA or recording mixer. This impedance transformer also has buzz & hum cancellation ability
    • EASILY CONNECTS INSTRUMENTS: Getting the signal of a musical instrument to the PA system is easier with this direct box. Just connect the electric bass, guitar, keyboard or other processors to the ground lift adapter & enjoy pure & clean audio
    • VERSATILE DIRECT BOX: Aside from music instruments, the DI unit can also be connected to the line output of a boom box or consumer stereo system if you want to sample old records. The hum eliminator is used for connecting unbalanced devices as well
    • DURABLE MATERIAL: Made of all steel chassis, this direct injection box is guaranteed to last for a long period of time. Aside from its heavy duty construction, it is also a convenient tool for musicians as it can power up to 10 effects pedals

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    Roland Electronic Keyboard Power Supply (PSB-120)

    Roland Electronic Keyboard Power Supply (PSB-120) Lowest new price: $33.30
    Lowest used price: $23.44
    List price: $35.99
    Brand: Roland
    Model: PSB-120

    AC Power Adapter with Cord (PSB-1U Equivalent - Replaces: ACB-120, ACF-120, ACK-120, ACI-120)

    Features:

    • AC power adapter with cord
    • PSB-1U Equivalent - Replaces: ACB-120, ACF-120, ACK-120, ACI-120

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    Zoom Tripod to Mic Stand Adapter for Handy Recorders - ZMA2

    Zoom Tripod to Mic Stand Adapter for Handy Recorders - ZMA2 Lowest new price: $6.99
    List price: $9.99
    Brand: Zoom
    Model: ZMA2

    Tripod to Mic Stand Adapter for H2, H4, H4n, Q2HD, Q3 and Q3HD recorders

    Features:

    • Adds a sturdy handle to the recorder that allows for use with a microphone stand
    • Plastic construction with threaded connector
    • Black

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    BEHRINGER MICROHD HD400

    BEHRINGER MICROHD HD400 Lowest new price: $24.99
    Lowest used price: $22.54
    List price: $25.25
    Brand: Behringer
    Model: HD400

    BEHRINGER MICROHD HD400

    Ultra-Compact 2-Channel Hum Destroyer

    • Removes AC hum and noise - fast, easy and reliable
    • Breaks ground loops safely, while keeping highest sonic quality
    • 2 independent channels for 2 mono or 1 stereo signal
    • Automatically converts unbalanced to balanced signals without signal loss
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany

    Whether you're recording or performing, it's important to keep AC hum out of the mix. No matter the quality of the venue's wiring, the BEHRINGER HD400 Hum Destroyer eliminates AC hum quickly and reliably.

    Mighty Hum Hunter

    The HD400 features two channels that can eliminate hum in two mono signals or one stereo signal. Try putting it between a stereo mixer and your power amps for a squeaky-clean sound free of AC hum. It breaks ground loops safely while maintaining the highest sound quality. It can even convert unbalanced signals into balanced without any signal degradation.

    A Hum Killer of a Deal

    This incredibly handy piece of gear is small enough to ride to the gig in your pocket. Pick up a HD400 today and make AC hum a thing of the past.

    Features:

    • Removes AC hum and noise - fast, easy and reliable
    • Breaks ground loops safely, while keeping highest sonic quality
    • 2 independent channels for 2 mono or 1 stereo signal
    • Automatically converts unbalanced to balanced signals without signal loss
    • 3-Year Warranty Program* 200 Watts of powerful, high-quality sound for audiences of up to 500 people. Input impedance approximately 500 k omega, Output impedance approximately 600 omega

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    ART CLEANBoxPro 2-channel Balanced / Unbalanced Converter

    ART CLEANBoxPro 2-channel Balanced / Unbalanced Converter Lowest new price: $69.00
    List price: $69.00
    Brand: ART
    Model: Cleanbox Pro

    2-way Stereo Level Converter (Balanced to Unbalanced and Unbalanced to Balanced) with XLR, RCA, and 1/8" I/O

    Features:

    • XLR connectors for balanced inputs and outputs
    • RCA phono jacks and stereo 1/8" mini-phone jacks for unbalanced inputs and outputs
    • Unbalanced output level control
    • Balanced output level control
    • Rugged extruded aluminum case

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    BEHRINGER MINIFBQ FBQ800

    BEHRINGER MINIFBQ FBQ800 Lowest new price: $69.99
    Lowest used price: $68.59
    List price: $69.99
    Brand: Behringer
    Model: FBQ800

    BEHRINGER MINIFBQ FBQ800

    Ultra-Compact 9-Band Graphic Equalizer with FBQ

    • Ultra-compact 9.5" graphic equalizer for studio and stage applications
    • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as Audio Analyzer
    • Additional Low-cut filter removes unwanted frequencies, e. g. floor rumble
    • Accurate 6-segment LED input/output meters and Level control for precise level indication
    • High-quality illuminated faders, potentiometers and illuminated switches for long-term reliability
    • Ultra-low noise audio operational amplifiers offer outstanding sound performance
    • All Mini Series models can be stacked on top of each other to create an ultra-compact signal processor solution
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany
    Why do I need an equalizer?

    If we all lived in a perfect world, there would be no need for audio equalization. Sound systems would be perfect and would reproduce perfect signals in all their glorious perfection. Also, everyone in that perfect world would like the same amount of bass, midrange and high frequency, and there would be no such thing as feedback. But the world isn't perfect, is it? Even the best sound system can benefit from the use of a good EQ - like the FBQ800.

    How Does it Work?

    Imagine the frequency range of the sound you hear as a highway, a very wide one with nine lanes. Each of these "lanes" represents a single octave of the sonic spectrum. The first four lanes, labeled 63 - 500 (Hz) contain the really low frequency sound content, mainly bass, bass vocals, and the kick and tom drums. The three lanes labeled 1 k, 2 k and 4 k (Hz), make up the fundamental zone of most musical instruments and the male and female vocals. 8 k and 16 k cover the frequency range of cymbals, snare drums and higher pitched percussion instruments. The FBQ800 allows you to control the flow of audio traffic in each of these nine lanes. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization.

    Feedback Elimination

    When a specifi c frequency, or range of frequencies, reaches too high a level, feedback occurs - that all-too-familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. That's why feedback typically gets louder and louder the longer it's allowed to occur. Needless to say, this kind of feedback is very undesirable.

    This is where the FBQ800's Feedback Detection System really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need do is lower the illuminated slider until the LED blinks out - voilà, feedback problem solved! What once required a highly trained ear is now an activity that even a child can master.

    Sonic Toolkit...

    That really is the best way to describe the FBQ800. With its nine frequency bands, you easily fine-tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12 dB (and that's a lot!).

    Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut fi lter for removing unwanted low frequencies such as fl oor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.

    To Boost or to Cut, That is the Question

    Raising and lowering specific frequency bands can improve the frequency response of any room's acoustics. For instance, if the room you're in is "bass-heavy," lowering the 63 and 125 Hz faders can help eliminate an overall "boomy" or "muddy" sound. Likewise, gently boosting the 8 and 16 k sliders can add sparkle to a somewhat "dark" mix. Are the vocals getting lost in the mix? Raising the level of the 1 k slider can help bring them out.

    It's important to note that raising a single fader level is not always the best solution; it's often better to lower the bands surrounding the frequency you want to bring out, and then boost the overall volume level to achieve better headroom.

    Built for Accuracy and Reliability

    Speaking of headroom, FBQ800's 6-digit LED Input/Output meters and level control are provided for precise level maintenance. Longterm reliability is ensured, thanks to high-quality illuminated faders and switches, and our ultra low-noise audio operational amplifi ers provide outstanding sonic performance. In addition, all Mini Series components may be stacked to create an ultracompact signal processing solution.

    If we all lived in a perfect world, there would be no need for audio equalization. Sound systems would be perfect and would reproduce perfect signals in all their glorious perfection. Also, everyone in that perfect world would like the same amount of bass, midrange and high frequency, and there would be no such thing as feedback. But the world isn't perfect, is it? Even the best sound system can benefit from the use of a good EQ--like the FBQ800.

    Even the best sound system can benefit from the use of a good EQ. Click to enlarge.

    1/4-inch and RCA inputs and outputs.

    Nine steps of graphic EQ.

    How Does it Work?
    Imagine the frequency range of the sound you hear as a highway, a very wide one with nine lanes. Each of these "lanes" represents a single octave of the sonic spectrum. The first four lanes, labeled 63 - 500 (Hz) contain the really low frequency sound content, mainly bass, bass vocals, and the kick and tom drums. The three lanes labeled 1 k, 2 k and 4 k (Hz), make up the fundamental zone of most musical instruments and the male and female vocals. 8 k and 16 k cover the frequency range of cymbals, snare drums and higher pitched percussion instruments. The FBQ800 allows you to control the flow of audio traffic in each of these nine lanes. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization.

    Feedback Elimination
    When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs--that all-too-familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. That's why feedback typically gets louder and louder the longer it's allowed to occur. Needless to say, this kind of feedback is very undesirable.

    This is where the FBQ800's Feedback Detection System really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need do is lower the illuminated slider until the LED blinks out--voilá, feedback problem solved! What once required a highly trained ear is now an activity that even a child can master.

    Sonic Toolkit
    That really is the best way to describe the FBQ800. With its nine frequency bands, you easily fine-tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12 dB (and that's a lot!).

    Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as fl oor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.

    To Boost or to Cut, That is the Question
    Raising and lowering specific frequency bands can improve the frequency response of any room's acoustics. For instance, if the room you're in is "bass-heavy," lowering the 63 and 125 Hz faders can help eliminate an overall "boomy" or "muddy" sound. Likewise, gently boosting the 8 and 16 k sliders can add sparkle to a somewhat "dark" mix. Are the vocals getting lost in the mix? Raising the level of the 1 k slider can help bring them out.

    It's important to note that raising a single fader level is not always the best solution; it's often better to lower the bands surrounding the frequency you want to bring out, and then boost the overall volume level to achieve better headroom.

    Built for Accuracy and Reliability
    Speaking of headroom, FBQ800's 6-digit LED Input/Output meters and level control are provided for precise level maintenance. Longterm reliability is ensured, thanks to high-quality illuminated faders and switches, and our ultra low-noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components may be stacked to create an ultracompact signal processing solution.

    What's in the Box
    Behringer FBQ800 Ultra-Compact 9-Band Graphic Equalizer, Power Supply, User's Manual

    Features:

    • Ultra-compact 9.5" graphic equalizer for studio and stage applications
    • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as Audio Analyzer
    • Additional Low-cut filter removes unwanted frequencies, e. g. floor rumble
    • Accurate 6-segment LED input/output meters and Level control for precise level indication
    • High-quality illuminated faders, potentiometers and illuminated switches for long-term reliability

    Similar Products:


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